Quilt No.1033NG - Narelle Grieve

Narelle Grieve
Owner: 
Narelle Grieve
Location: 
NSW Sydney
Maker
Maker: 
Unknown sailor
Made in
SHIPBOARD
Date: 
pre 1850
Description: 
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
History: 

The quilt was made by an unidentified sailor c.1846. It was given to Jane Williams of Somerset, England who backed it and sent it to Australia to Annie Smith, her sister-in-law in Sydney. It then passed by family descent to Annie's grandson, John Henderson of Middle Cove, Sydney from whom the present owner, Narelle Grieve, acquired it. It is not used.

Story: 

"It was not unusual for the European sailors of previous centuries to engage in the art of quilting. They needed to be able to sew in order to mend their sails, and quilting was a way of passing time while developing their sewing technique. Most sailors were talented needle people, as the fine stitches and intricate design of this quilt demonstrates.
Many of the lands which the sailors visited offered exotic fabrics and the silk used to make the tiny diamonds in this quilt may have originated in India. Papers still contained within the hexagons around the border of the quilt may be able to verify the origin of this fabric. This may also give some insights into the sailor's life and travels, but Narelle explains that she would have to unpick the backing to get to them and that could ruin the frail silk fabric." [extract from unidentified article supplied by the present owner.]

Related Quilts:

La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm