Quilt No.1033NG - Narelle Grieve

Narelle Grieve
Owner: 
Narelle Grieve
Location: 
NSW Sydney
Maker
Maker: 
Unknown sailor
Made in
SHIPBOARD
Date: 
pre 1850
Description: 
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
History: 

The quilt was made by an unidentified sailor c.1846. It was given to Jane Williams of Somerset, England who backed it and sent it to Australia to Annie Smith, her sister-in-law in Sydney. It then passed by family descent to Annie's grandson, John Henderson of Middle Cove, Sydney from whom the present owner, Narelle Grieve, acquired it. It is not used.

Story: 

"It was not unusual for the European sailors of previous centuries to engage in the art of quilting. They needed to be able to sew in order to mend their sails, and quilting was a way of passing time while developing their sewing technique. Most sailors were talented needle people, as the fine stitches and intricate design of this quilt demonstrates.
Many of the lands which the sailors visited offered exotic fabrics and the silk used to make the tiny diamonds in this quilt may have originated in India. Papers still contained within the hexagons around the border of the quilt may be able to verify the origin of this fabric. This may also give some insights into the sailor's life and travels, but Narelle explains that she would have to unpick the backing to get to them and that could ruin the frail silk fabric." [extract from unidentified article supplied by the present owner.]

Related Quilts:

Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Gillian Albers
Patchwork quilt made from hexagons in 'Grandmother's Flower Garden' design, in blue and aqua cottons, polyester and flannelette. Quilt is backed. No padding or quilting.
2380 x 2320mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm