Quilt No.571MM - Margaret McMillan

Margaret McMillan
Owner: 
Margaret McMillan
Location: 
NSW
Maker
Maker: 
Elizabeth Horrell
Made in
ENGLAND and NEW ZEALAND
Date: 
pre 1850
Description: 
Cotton log cabin double bed quilt. Each square has 52 pieces (i.e. 13 pieces x 4 to make a square). There are 192 squares so a total of 10.092 pieces. There is probably no padding. The backing is calico with a floral pattern done in running stitch.
2200 x 2200mm
History: 

The quilt was made by Elizabeth Horrell (born Moore) (1827-1913). It was commenced by her in Devon England in 1837 when she was 11 years old. She married John Horrell in England in 1848 and they came to New Zealand on the 'Charlotte Jane' in 1850 with their eldest son Samuel. The quilt was completed in New Zealand around 1852-53.
"My grandmother- Margaret Horrell - told me the quilt was mine. Her husband William must have been given the quilt by Uncle Henry - who I recall stayed a lot with them and died in 1946. As a child I always slept under the quilt when I stayed in Ashburton N.Z. with my grandparents. Given to me at age 18. As I married and moved to Australia in 1962 my mother kept the quilt in N.Z. She decided to wash it and so in about 1970, I brought it back to Australia. It has been in use all its life." [Margaret McMillan 1.7.99]

Story: 

Elizabeth Moore grew up at 'Moorefarm', Morchard Bishop, Devon England. The farm is still there and in tact.
" His wife (Elizabeth Horrell) had taught school in Devonshire and had a certificate from there and a testimonial from the Vicar. She took a class on the 'Charlotte Jane' which included Tom Phillips of The Point. After they settled in Christchurch she was assistant mistress under J.S.Hawley when St. Michael's school was started. It was said she taught in the school for three years and used to put her baby in a corner made comfortable with her sewing work."
[Part reference from 'Biographical Notes in Canterbury Museum' supplied by Margaret McMillan 1.7.99]

Related Quilts:

Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm