Quilt No.1009FG - Fiona Gavens

Fiona Gavens
Owner: 
Fiona Gavens
Location: 
NSW North Coast
Maker
Maker: 
Deborah Gavens
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
History: 

Quilt made by Deborah Gavens in Colac, Victoria, from the late 1950's to early 1960's (took about five years to make). Deborah owned and used the quilt until she passed it on to her daughter Fiona in the late 1980's. Quilt is not used.

Story: 

"My mother, Deborah Gavens (nee Lee), arrived in Australia as a war bride in 1946, having married Philip Gavens, an Australian pilot, in London just before his departure.
Five daughters were born between 1948 and 1958 and the oldest four in particular were dressed in beautiful, matching vyella dresses embellished with smocking and embroidery. Mum made most of these dresses, which reflected her well-heeled British background.
Mum loved sewing but had very little time to do no-utilitarian work when we were young. I have strong memories of her mainly sewing this quilt at meal times when we were having dessert (which she rarely ate). That is why it took about five years to create!
When Mum finished piecing the quilt and started embroidering it, it was our job to find the seams that she had missed, and we would often talk about who wore what dress and whom the dresses had been passed on to.
The quilt was used as a comforter when we were sick and, later on, when grandchildren visited.
I have the original book containing the instructions on how to piece and embroider the quilt, entitled 'Pictures and Patchwork' by Priscilla M. Warner, the Dryad Press, Leicester, 1950. Mum still has a set of metal hexagon templates made for her by Dad.
I have no doubt that this quilt contributed to my evolution into a professional quilter (1978 - 1995), as it was obvious that creating something beautiful by hand was of intrinsic importance to Mum. Her father designed and stitched beautiful wool tapestry, and my father was a carpenter/builder, so it was natural to be a designer and maker.
I sewed from an early age and in my late teens embarked on my first quilt of hand-sewn hexagons. This took several years to make, and ensured I would only sew with a machine from then on! It is interesting to look at Mum's quilt and the mix of techniques, as I always felt free to use whatever techniques I needed, and wonder now if that was another subconscious influence." [Fiona Gavens]

Deborah Gavens 1950
Deborah Gavens 1950
Four of the 'Gaven girls' wearing viyella dresses, 1957<br />b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
Four of the 'Gaven girls' wearing viyella dresses, 1957
b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
The Gavens home, where quilt was made. 1964
The Gavens home, where quilt was made. 1964

Related Quilts:

The Pioneer Women&#039;s Hut
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.