Quilt No.1009FG - Fiona Gavens

Fiona Gavens
Owner: 
Fiona Gavens
Location: 
NSW North Coast
Maker
Maker: 
Deborah Gavens
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
History: 

Quilt made by Deborah Gavens in Colac, Victoria, from the late 1950's to early 1960's (took about five years to make). Deborah owned and used the quilt until she passed it on to her daughter Fiona in the late 1980's. Quilt is not used.

Story: 

"My mother, Deborah Gavens (nee Lee), arrived in Australia as a war bride in 1946, having married Philip Gavens, an Australian pilot, in London just before his departure.
Five daughters were born between 1948 and 1958 and the oldest four in particular were dressed in beautiful, matching vyella dresses embellished with smocking and embroidery. Mum made most of these dresses, which reflected her well-heeled British background.
Mum loved sewing but had very little time to do no-utilitarian work when we were young. I have strong memories of her mainly sewing this quilt at meal times when we were having dessert (which she rarely ate). That is why it took about five years to create!
When Mum finished piecing the quilt and started embroidering it, it was our job to find the seams that she had missed, and we would often talk about who wore what dress and whom the dresses had been passed on to.
The quilt was used as a comforter when we were sick and, later on, when grandchildren visited.
I have the original book containing the instructions on how to piece and embroider the quilt, entitled 'Pictures and Patchwork' by Priscilla M. Warner, the Dryad Press, Leicester, 1950. Mum still has a set of metal hexagon templates made for her by Dad.
I have no doubt that this quilt contributed to my evolution into a professional quilter (1978 - 1995), as it was obvious that creating something beautiful by hand was of intrinsic importance to Mum. Her father designed and stitched beautiful wool tapestry, and my father was a carpenter/builder, so it was natural to be a designer and maker.
I sewed from an early age and in my late teens embarked on my first quilt of hand-sewn hexagons. This took several years to make, and ensured I would only sew with a machine from then on! It is interesting to look at Mum's quilt and the mix of techniques, as I always felt free to use whatever techniques I needed, and wonder now if that was another subconscious influence." [Fiona Gavens]

Deborah Gavens 1950
Deborah Gavens 1950
Four of the 'Gaven girls' wearing viyella dresses, 1957<br />b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
Four of the 'Gaven girls' wearing viyella dresses, 1957
b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
The Gavens home, where quilt was made. 1964
The Gavens home, where quilt was made. 1964

Related Quilts:

Red Cliffs Historical Society
Pieced construction, repeat block format, American Blue Grass pattern. Hand stitched and quilted with a machined edge. Mauve check stars, 8 points, surrounded by 16 point stars in yellow floral. One star per block plus green squares and red strips. The background is yellow cotton and so is the backing. There is a dacron type padding.
1980 x 1740mm
Margery Creek
Cotton quilt made in the USA. The pattern is called 'Turkey Tracks'. It has a cotton backing and a bottle green binding. The red patches have faded to pink. The quilt is hand pieced and hand quilted. Two names are written on tape sewn on the back viz: Cora Phelps and M.Hoover.
2135 x 1727mm
Mrs M Batts
This quilt is allover crazy patchwork not done in squares. Many pieces are awkward shapes. In the centre is a 150 x 150mm square of squares each 25mm repeating some of the materials in the quilt. Most of the materials are velvets, satins and silks. There is a border of red and green patterned wool and all seams are feather stitched in a thick gold thread. The padding is thought to be flannelette and the backing is polished cotton in faded red and green.
2560 x 2160mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm