Quilt No.386CW - Colleen Whitaker

Colleen Whitaker
Owner: 
Colleen Whitaker
Location: 
NSW Riverina
Maker
Maker: 
Bridget Halloran
Made in
SHIPBOARD Ireland
Date: 
pre 1850
Description: 
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
History: 

The quilt top was made on a ship from Ireland in 1840 by Bridget Halloran (born Tully). It was handed on to her daughter Catherine who married William Hansell and then passed by maternal descent to the present owner who is the great great grand-daughter of the maker (fifth generation). It is not used and is stored in a camphor wood box.

Story: 

The family suggest that the reason the quilt was not finished (backed) may have related to the time available on the ship. If the quilt wasn't finished on arrival there wasn't time in the 'new country'.
"This (the quilt) is believed to have been made on the ship from Ireland in 1840 by Bridget Tully, daughter of Michael and Mary Tully of Ballynakill. Born in the county of Galway in 1816. One of ten children. In 1838 she married Michael Halloran. In 1840 she immigrated to Australia on The Isabella, with her daughter Ellen and sisters and their husbands. She left behind an ailing husband, Michael Halloran who was supposed to join them later.
Patrick Tully, her brother, already in Australia, filled in an appplication form for the Hallorans to immigrate as farm workers, the fare being paid by the N.S.W. Government. In all, nine of the Tully siblings came to settle in the Goulburn district.
She had arrived in Sydney and moved by dray, with her daughter and sister Catherine to Ryansvale, a farm run by the Ryan brothers 12 miles from Goulburn, near Bungonia. In 1841 Bridget gave birth to another daughter called Catherine. She had become sick on the boat. At first they thought she was sea sick but discovered she was pregnant, father being Michael Halloran.
In 1843 she received news through her brother in law Michael Costello that her husband Michael Halloran had died.
In 1849 she married James Clark Armstrong in the Church of England at Bungonia, although she remained a praticing Catholic. Armstrong went off gold prospectring most of the time while Bridget supported her daughters by selling milk and butter from their small farm.
In 1871 Bridget became a widow again when James died at the gold fields of Araluen aged 65 years. She lived the rest of her life with her grandson at Windellama (in the same area). She died in 1902 and is buried at Bungonia."
"This information on Bridget was obtained from writings about the Tully family by James Abbey descendant of Catherine Tully and Alexander Abbey. Bridget's niece Mary Costello married Patrick Durack. Her brother or nephew Patrick and Patrick Durack were mining mates whose family had come from the same part of Ireland to join the large Irish community around Goulburn."
[ Colleen Whitaker, 8.3.1999]

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from diamond patches in a variety of cotton materials set in a 'tumbling block' pattern. Patterns include geometrics, stripes, a 'Kate Greenway' print and colours are largely soft pastels, dark browns, with some reds and blues. The quilt has been cut down and a later border added. There is no padding and the backing is cream cotton.
2279 x 2000mm
Friends of the Hawkesbury Art Society
Patchwork Quilt consisting of diamond shapes forming a Tumbling Block pattern. All cotton, mainly patterned pieces, with signs of blotting paper templates. Hand sewn. The outer border of patches consists of off-cuts from nurses' uniforms of the times as 2 of the maker's daughters were nurses. It is thought most other squares were probably from material samples from large city stores such as Anthony Horderns. Backing is red cotton in a paisley design.
2030 x 1890mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Molly Palmer
Patchwork quilt with repeat blocks of Log Cabin pattern in cottons. One side of the square has blue fabrics, the other side has pink. Blocks are separated by a floral and a blue strip. The quilt is finished with a dark blue border on 2 sides, and a light and dark blue border on the other 2 sides. Dark blue binding around edge. Hand quilted with a cable pattern on the borders. Padding is probably synthetic. The quilt is backed.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm