Quilt No.617PWH - The Pioneer Women's Hut
Owner:
The Pioneer Women's Hut
Location:
NSW Riverina
Maker
Maker:
Julia Jeffries
Made in
AUSTRALIA NSW
Patterms
Date:
1881 - 1900
Description:
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
2180 x 1710mm
History:
The quilt was made by Julia Jeffries at Ournie on the upper Murray c.1900. It was handed down in the family by maternal descent and donated to The Pioneer Women's Hut by Bessie Hillis of Tallangatta NSW. It is displayed in the museum occasionally.
Story:
Julia Jeffries (1846-1919) lived with her husband Jabez at Ournie NSW. They had 11 children.
Julia Jeffries c.1900
Julia Jeffries (centre in black) with the immediate family, Ournie NSW
Related Quilts:
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
2160 x 1601mm
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
This is one of two single bed quilts in a pattern the owner calls 'Martha Washington's Flower Garden'. Flowers are in six hexagons in a variety of prints with a plain coloured centre. The background is cream, and the backing is calico. 2500 x 1800 mm.
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.