Quilt No.43JP - Julie Pearce

Julie Pearce
Owner: 
Julie Pearce
Location: 
NSW South East
Maker
Maker: 
Elizabeth Louise Williams
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
History: 

Made by Elizabeth Louise Williams (Nana), great-grandmother of Julie Pearce, in the 1960s, for Julie and her sister. Owned by Julie Pearce and used on her children's beds in Thirroul, NSW.

Story: 

"My paternal great-Grandmother � was a keen sewer in her time and over 30 years ago made my sister and myself a functional quilt for our beds. She made them on her treadle machine and used fabric scraps that my mother had left over from clothing that she herself had made for us. As a child I clearly remember lying on my bed reminiscing over favourite fabrics and special dresses and reliving memories of times and places the dresses were worn. The time spent on those quilts was well appreciated and is still admired as my children now learn the stories behind the quilts I treasured when I was much younger than they both are now. I am so thrilled they are wiling and happy to share these quilts which mean so much to me.
My Great-Grandmother, Elizabeth (Nana) Williams of Canterbury, Sydney throughout her many productive years, kept herself busy with her sewing. No doubt having eight boys, she had little need to sew pretty dresses so put her skills and time to an equally practical use. She regularly made quilts, at times using fabric supplied to her by The Smith Family, which upon completion she donated to the Aboriginal Missions. Some quilts were used by other family members � I can clearly remember several other quilts of hers that I have seen, one using black imitation fur strategically cut and placed to use the play of light as its feature, another, crazy patchwork squares adorned with feather stitch. � Nana Williams made perhaps hundreds of quilts in her time, which she mostly gave away. She lived a very frugal lifestyle herself and lived to be well into her eighties when she was still actively sewing.
I estimate the quilts I have were made very early in the 60s although these particular 2 would have been nana's most recent."
[Julie Pearce 20.2.98]

Related Quilts:

Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
National Musuem of Australia
Patchwork quilt with alternate squares of green and fawn cotton headcloth. Various Australian wild flowers are embroidered in coloured threads in the green squares. In the fawn squares there is a stylised flower and leaf pattern outlined in embroidery. The border, front and back is green headcloth. The backing is printed cotton with a floral design. There is some padding.
1610 x 1610mm
Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm
Mrs. L. M. Chick
Hexagon quilt made by hand from a wide variety of cotton materials. There is no padding and the backing is calico.
2286 x 915mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm