Quilt No.43JP - Julie Pearce

Julie Pearce
Owner: 
Julie Pearce
Location: 
NSW South East
Maker
Maker: 
Elizabeth Louise Williams
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
History: 

Made by Elizabeth Louise Williams (Nana), great-grandmother of Julie Pearce, in the 1960s, for Julie and her sister. Owned by Julie Pearce and used on her children's beds in Thirroul, NSW.

Story: 

"My paternal great-Grandmother � was a keen sewer in her time and over 30 years ago made my sister and myself a functional quilt for our beds. She made them on her treadle machine and used fabric scraps that my mother had left over from clothing that she herself had made for us. As a child I clearly remember lying on my bed reminiscing over favourite fabrics and special dresses and reliving memories of times and places the dresses were worn. The time spent on those quilts was well appreciated and is still admired as my children now learn the stories behind the quilts I treasured when I was much younger than they both are now. I am so thrilled they are wiling and happy to share these quilts which mean so much to me.
My Great-Grandmother, Elizabeth (Nana) Williams of Canterbury, Sydney throughout her many productive years, kept herself busy with her sewing. No doubt having eight boys, she had little need to sew pretty dresses so put her skills and time to an equally practical use. She regularly made quilts, at times using fabric supplied to her by The Smith Family, which upon completion she donated to the Aboriginal Missions. Some quilts were used by other family members � I can clearly remember several other quilts of hers that I have seen, one using black imitation fur strategically cut and placed to use the play of light as its feature, another, crazy patchwork squares adorned with feather stitch. � Nana Williams made perhaps hundreds of quilts in her time, which she mostly gave away. She lived a very frugal lifestyle herself and lived to be well into her eighties when she was still actively sewing.
I estimate the quilts I have were made very early in the 60s although these particular 2 would have been nana's most recent."
[Julie Pearce 20.2.98]

Related Quilts:

Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Lora Busellato
Machine pieced cotton quilt, in random design of geometric pieces. Materials used are cotton sheeting, dress fabrics, broderie anglaise, and seersucker. There is no padding, and backing is white curtain lining.
1540 x 1150 mm.
Julie Pearce
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.