Quilt No.772PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Marion Gibson
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Crazy patchwork principally pieced from cotton, silk, velvet, damask, brocade and felt with a printed cotton back. The edges of the pieces have been embroidered with a range of stitches including herringbone, feather and blanket stitches. The quilt is edged with red cotton with a machine made lace flounce all around."
The backing is a "cotton patchwork print with an asymmetrical design of playing cards, paisley, checks and geometric patterns in green, red and blue on a white background." [PHM]
The quilt is padded with a wool and cotton blanket.
2275 x 1935mm
History: 

The quilt was made by Marion Gibson on a property near Hay NSW and completed in 1892. Marion left the quilt to her eldest grand-daughter. It was then passed down the female line of the Gibson family. It was acquired by the Powerhouse Museum in 1990, with the assistance of funds provided by the Gibson family.

Story: 

".....Marion Gibson was born in Scotland, the daughter of a tailor. In 1854 she married John Gibson, a bootmaker, and they sailed for Australia. The settled in Coolac where John set up business as a bootmaker until, in 1875, fulfilling a lifetime ambition to take up farming they bought a property, 'Narringa', outside Hay and there Marion Gibson established a home for her family, which eventually grew to nine children, eight boys and one girl. In addition to her work in the home and her activities on behalf of rural settlers generally, Marion Gibson was known for her skills as a needlewoman and this is only one of a number of pieces by her that survive." [PHM]

"This is a rare example of a nineteenth century quilt that is not only well provenanced but whose maker has left a detailed description of its construction, materials and the reason for making it. In a letter to her grand-daughter, Marion Gibson wrote...'With the exception of a few scraps of ribbon it was all made up with pieces [sic] from friends far and near. I called it the Friendship quilt and to me it was a labour of love and given to you as my eldest grand-daughter...I am sorry I cannot write a history of it - for as the eye is dazzled by the many colours of the different bits, so the mind is puzzled by the loving memories of dear friends who contributed and took an interest in the Friendship Quilt.....I must add I spent many a happy hour on it.'
The pieces came from wedding dresses, men's ties, children's clothes, favourite ribbons, bonnet trimmings and other personal items. There is even a piece from the crown of a neighbour's hat, 'which I did not care for, but put on to please him.' As Marion Gibson concluded, 'I went in for "Federation" on this quilt - for all classes are united.' " [PHM]

Related Quilts:

The Pioneer Women's Hut
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
The Pioneer Women's Hut
Cotton quilt in pattern commonly known as "Double Wedding Ring'. Probably an American McCall's pattern. Hand stitched, florals, checks and plain pieces. The backing is pink cotton. Scalloped edge.
2300 x 1880mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm