Quilt No.772PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Marion Gibson
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Crazy patchwork principally pieced from cotton, silk, velvet, damask, brocade and felt with a printed cotton back. The edges of the pieces have been embroidered with a range of stitches including herringbone, feather and blanket stitches. The quilt is edged with red cotton with a machine made lace flounce all around."
The backing is a "cotton patchwork print with an asymmetrical design of playing cards, paisley, checks and geometric patterns in green, red and blue on a white background." [PHM]
The quilt is padded with a wool and cotton blanket.
2275 x 1935mm
History: 

The quilt was made by Marion Gibson on a property near Hay NSW and completed in 1892. Marion left the quilt to her eldest grand-daughter. It was then passed down the female line of the Gibson family. It was acquired by the Powerhouse Museum in 1990, with the assistance of funds provided by the Gibson family.

Story: 

".....Marion Gibson was born in Scotland, the daughter of a tailor. In 1854 she married John Gibson, a bootmaker, and they sailed for Australia. The settled in Coolac where John set up business as a bootmaker until, in 1875, fulfilling a lifetime ambition to take up farming they bought a property, 'Narringa', outside Hay and there Marion Gibson established a home for her family, which eventually grew to nine children, eight boys and one girl. In addition to her work in the home and her activities on behalf of rural settlers generally, Marion Gibson was known for her skills as a needlewoman and this is only one of a number of pieces by her that survive." [PHM]

"This is a rare example of a nineteenth century quilt that is not only well provenanced but whose maker has left a detailed description of its construction, materials and the reason for making it. In a letter to her grand-daughter, Marion Gibson wrote...'With the exception of a few scraps of ribbon it was all made up with pieces [sic] from friends far and near. I called it the Friendship quilt and to me it was a labour of love and given to you as my eldest grand-daughter...I am sorry I cannot write a history of it - for as the eye is dazzled by the many colours of the different bits, so the mind is puzzled by the loving memories of dear friends who contributed and took an interest in the Friendship Quilt.....I must add I spent many a happy hour on it.'
The pieces came from wedding dresses, men's ties, children's clothes, favourite ribbons, bonnet trimmings and other personal items. There is even a piece from the crown of a neighbour's hat, 'which I did not care for, but put on to please him.' As Marion Gibson concluded, 'I went in for "Federation" on this quilt - for all classes are united.' " [PHM]

Related Quilts:

Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Annette Gero
Hand pieced log cabin quilt in silks, satins and velvets. There is a silk backing machined on, possiby a later addition. The quilt has over 5000 pieced.
1820 x 1680mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
Wanda McPherson
Patchwork quilt made from pure wool suiting samples in shades of navy blue and brown. Quilt is constructed in 11 rows containing 11 pieces. Each piece is 14cm x 9cm. No padding. Backing is of mauve cotton with a floral pattern of closely spaces white/pale mauve flowers.
1480 x 900mm
Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm