Quilts

Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
Crazy patchwork quilt in silks and velvets. Some patches with embroidered flowers, including wattle, worked in chenille thread. Machine quilting. There is a border of velvet. The backing is silk and has an envelope opening edged with silk cord. There is no padding. There is a matching nightgown sachet.
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
Helen Sparkman
Patchwork quilt, reversible, with both sides constructed from rectangles of cotton materials. These have been joined in strips and then the strips joined.
1900 x 1680mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm
Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
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Patterned cover for a 'night and day' type bed or lounge. White background with a pattern of swirling stripes, squares and leaf motifs in orange, pale blue, pale green and fawn.There is a deep ruffle on 2 sides. The backing is cotton.
2400 x 2000mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Cotton quilt, hand pieced from dress type materials with the backing applied by machine. The backing is calico and has maker's signatures embroidered on it. There is no padding.
2460 x 2300mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from cotton fabrics in white and a brown print (possibly green originally), with a wide border of cream fabric. The border is quilted with a four cable pattern, and the main part is cross hatch quilted , in a diamond pattern. Backing of cotton. Hand sewn and quilted. Padding unknown.
1970 x 1740mm
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm
Norma Gilchrist
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
National Trust of Australia (SA)
Patchwork frame quilt in various cotton print fabrics, main colours are red, grey, pink, blue, light brown. Centre panel (104cm x 99cm) made of stars constructed from diamond shapes, in a grey stripe frame (2cm). Wide border (25cm) of hexagon 'flowers' with a grey stripe frame (3 1/2cm), then a border (17cm) of randomly placed diamond patches with a frame of grey stripe fabric. Two sides have a border of pastel stars with bright colour diamonds in between, then a narrow frame of red and grey stripe fabric. Quilt has a border of triangle squares. No padding. Cotton backing.
2810 x 2340mm
Helen Sparkman
Patchwork quilt made of hexagon patches from satin scraps. Hexagons are in solid colours and joined to make rosettes. Hand sewn.
1800 x 1025mm
The Adelaide Chronicle 'International Quilt'. Squares of fawn cotton with alternate squares embroidered with scenes from different countries using coloured threads in a variety of stitches. The alternate squares have a pattern of feathered circle and this is back stitched in beige embroidery thread. The backing is turquoise cotton blend attached to the quilt with pale blue herringbone stitch. The quilt is padded.
2430 x 1440mm

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