Quilts

Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Patchwork quilt made from hexagon patches, cut from cotton scraps, in the 'Grandmother's Flower Garden' design. Hand sewn. No padding. Backing is cotton sheeting.
2100 x 1400mm
"This unusual quilt is comprised of bands of horticultural show ribbons machined onto a blue lining. The ribbons are royal blue in colour and printed in gold/bronze with two inscriptions.
KYOGLE P.A & H SOCIETY and TWEED RIVER AGRICULTURAL SOCIETY
The quilt has been formed so the two inscriptions alternate down the face of the quilt. The ribbons appear to be of rayon. White cotton machine thread was used in the construction. Accompanying the quilt is a carry bag; a rectangular bag made of the same show ribbons as the quilt with a single drawstring at the top." [NGA] The quilt is not padded. 1833 x 1410mm
Embroiderers' Guild Victoria
Fine linen wholecloth quilt with all over cord quilting using back stitch and running stitch. The quilting is an elaborate pattern of flowers and leaves. It is a cradle or cot quilt. There is a cotton backing.
1030 x 840mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Crazy patchwork quilt constructed from a wide range of floral, check and plain materials, mainly cottons. The backing is white cotton whole cloth.
2280 x 1380mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Embroiderers' Guild Victoria
Hand appliqued and quilted white cotton quilt with Hawaiian type design in pink. There is a scalloped border also in pink and the backing is fine pink cotton. The padding is 'Mountain Mist'.
2300 x 1600mm
Cot quilt with both sides of faded blue cotton sateen with pale brown moire effect lines. Piped edges. Machine quilted to form two borders around a central rectangular panel, which has a simple but decorative stitched design with six points, at each of which is a small eyelet, finished with cream thread. The padding is feathers.
Quilt of three layers with matt insert and floral cover.
1300 x 680mm
National Museum of Australia
Handsewn patchwork quilt in a mosaic pattern of squares and pentagons. Patches are in very bright coloured print and plain cottons, with 'filler' squares of beige cotton. Quilt is machine stitched to a backing of apricot cotton. There is no padding.
2980 x 1655mm

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