Quilts

Norma Gilchrist
Cotton quilt with overall pattern of hexagons joined to make 'flowers'. Brown paper templates were used. All hexagons are hand stitched including on to the blue border which was then machined on to the same blue headcloth backing. The materials used were mainly scraps, including some from an aunt of the present owner, and are in a wide variety of patterns and colours. There is no quilting.
2110 x 1700mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Ruth Wallace
A hand stitched top in randomly placed diamond shapes in mixed materials, mainly cottons. These are stitched to a flannelette backing. There is herringbone stitching around the border.
1250 x 930mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Papers are still in place. Some of the materials have been dated to the 1830s and it is thought they came from old garments. This is similar to another cover in the Guild's collection.
1280 x 1280mm
Machine pieced top and back made from large irregular pieces of calico and sheeting including part of a 70lb Colonial Sugar Refinery calico sugar bag. The padding appears to be old cream blanket, whole or pieced.
1720 x 1030mm
Patchwork quilt made from darned cardigan sleeves in green, grey, cream and black [wool] stitched to a top layer with a blue wool running stitch. No padding. Backing is a green and cream bedspread.
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
National Trust of Australia (SA)
Patchwork frame quilt in various cotton print fabrics, main colours are red, grey, pink, blue, light brown. Centre panel (104cm x 99cm) made of stars constructed from diamond shapes, in a grey stripe frame (2cm). Wide border (25cm) of hexagon 'flowers' with a grey stripe frame (3 1/2cm), then a border (17cm) of randomly placed diamond patches with a frame of grey stripe fabric. Two sides have a border of pastel stars with bright colour diamonds in between, then a narrow frame of red and grey stripe fabric. Quilt has a border of triangle squares. No padding. Cotton backing.
2810 x 2340mm
Canadian Log' design (log cabin?). It is a hand stitched quilt constructed from 6,240 pieces of silk, satin, velvet, cotton, brocade and corduroy. The type of padding is unknown and the backing is cotton with a floral design. 1920 x 1900 mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Embroiderers' Guild Victoria
Crazy patchwork quilt, hand pieced in velvets, brocades and silks. Embroidery in yellow stranded thread in various stitches around the patches. Stitches include, single and double feather, numerous buttonhole variations and herringbone. There are also embroidered motifs including butterflies, leaves and flowers. Purple velvet ribbon, also embroidered with herringbone stitch, overlays the squares. The padding is a fluffy cotton and the backing is a thin cotton.
1900 x 1800mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Patchwork cot quilt made from hexagon patches in cotton, linen, silk and wool. Checks, stripes, spots, florals and plain are used, in a mix of bright and pastel colours. Backing is of dark brown cotton with an edge of hexagon patches on each long side. No padding. Hand sewn.
1296 x 839mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Quilt made of squares of patchwork suiting, machine stitched with red diamond and rectangle motifs. Made of wool.
1950 x 1010mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
This utilitarian quilt has a top of mainly woollen used clothing randomly pieced in different sizes and shapes. It includes parts of a jumper, a pocket, a sleeve, the back of a coat, a trouser leg, a piece of 'railway issue' blanket. There are many layers and each layer is stitched together by hand. There is no difference between the padding and the top, it is all layers of pieces of clothes. The backing is an old cotton sheet.
1620 x 1300mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]

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