Quilts

Quilt top. "Handsewn (edges machine sewn only). Quilt, poor, faded, torn. Red and white patches. Red star and white circle with 4 diamonds in centre. Red and white triangle pieces and plain border. No padding or backing."
[K.D.H.S. 19.2.1997]
2030 x 1941mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Patchwork quilt in a variation of the Log Cabin pattern, made of cotton fabrics in red and cream, set in alternate blocks. Backing is of quilted linen squares. Quilt is edged with cream cotton fringing, added at a later date.
2260 x 2000mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Cotton quilt, hand pieced from dress type materials with the backing applied by machine. The backing is calico and has maker's signatures embroidered on it. There is no padding.
2460 x 2300mm
Patchwork quilt constructed of two panels, top and bottom, of squares in coloured fabrics with a single horizontal panel in the middle. Machine stitched. The backing is a black and white striped material similar to mattress ticking.
Single bed patchwork quilt made of rectangular or oblong patches in various colours in mainly floral patterns. Along each side and across the bottom of the quilt are strips of black piping 1" in width and approx. 1 foot in from the edge. The filling is old blankets, and the backing is blue cotton.
"The front face of this quilt consists of panels of multicoloured prints pieced together into squares set between a grid of machine embroidered bands in yellow and maroon on white muslin. The fabrics are cotton and include a few early synthetics; all work is machined. The back is fully lined with yellow cotton flannelette, machined at the edge and 5cm in from the edge. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded or quilted. 2370 x 2340mm
Rug made from rabbit skins of a uniform grey-brown colour. The rug is pieced by joining 6 rows of 9 skins each with the rows going across the width of the rug. The backing of dark maroon wool extends beyond the fur and has a scalloped edge. 1700 x 1390mm
Cotton appliqué quilt in green and pink 'Rose of Sharon' design, against a white background. Finely quilted with feathers between flowers and feathers on the border, with some cross hatching. Padding is cotton, and backing is white cotton. 2250 x 1700 mm.
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm
Migration Museum
Crazy patchwork quilt of silk and cotton fabrics in velvets and brocades, with surface embroidery and appliqued motifs, and many seams embroidered, in a variety of stitches. Some metal thread embroidery. Centre patch has embroidered initials "F B". Quilt has been constructed from 30cm squares of crazy patwork which have been joined in bands and then stitched together in rows. Quilt has a border 12cm wide of red velvet. Backing (replaced backing) is of deep pink cotton, machine quilted. Hand and machine sewing.
1700 x 1430mm
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Quilt top is of squares, approximately 180mm, made from a variety of fabrics including fine corduroy. It is hand pieced, and hand embroidered around each square with feather stitch, using blue embroidery cotton. 2380 x 2000 mm. 2380 x 2000 mm.
Quilted wholecloth cover of pink cotton material with a floral design. Quilted squares create the centrepiece surrounded by a border of three rows of quilting. It has piped edges.
The padding is feathers.
1700 x 1350mm
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm

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