Quilts

"All handsewn. Quilt in fragile condition. Hexagonal patches in blocks of 19 patches & joined together with diamond and triangle patches. All patches recycled cotton material. The centre patch is one material, the 6 patches around are another material and the surrounding 12 are white sheeting. The diamonds and triangles are pale blue. No padding. Cotton sheeting backing. Patches sewn onto a ? old cotton ? damask weave tablecloth or bedspread. This is woven in strips. The backing sewn on."
[K.D.H.S.1997] 2500 x 2450mm
Patchwork quilt made of gathered circles stitched into a square shape. Made of scraps of fabrics from the depression period. The maker called the shapes 'squirkles'. No padding. Quilt is lined.
2100 x 1400mm
National Trust of Australia (SA)
Patchwork frame quilt in various cotton print fabrics, main colours are red, grey, pink, blue, light brown. Centre panel (104cm x 99cm) made of stars constructed from diamond shapes, in a grey stripe frame (2cm). Wide border (25cm) of hexagon 'flowers' with a grey stripe frame (3 1/2cm), then a border (17cm) of randomly placed diamond patches with a frame of grey stripe fabric. Two sides have a border of pastel stars with bright colour diamonds in between, then a narrow frame of red and grey stripe fabric. Quilt has a border of triangle squares. No padding. Cotton backing.
2810 x 2340mm
Machine made wholecloth quilt in gold satin cotton. "�...perhaps a new cover over the blue japara cotton base. Vaguely oval central medallion with floral tulip pattern in trapunto with ruching. Outside this is another trapunto pattern." [Edith Young]
The backing is gold satin cotton and the padding is quite thick, possibly down. 1720 x 1420 mm.
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Crow's Nest and District Historical Society
Reversible quilt with an all over pattern of squares in printed cottons including cretonnes. Originally longer but it was shortened in 1980 by a member of the Crow's Nest and District Historical Society.
1702 x 1220mm
Machine pieced patchwork top of Tailor's samples with a backing of patches of furnishing materials. There is no padding.
1930 x 1530mm
Joyce Lloyd
Hand pieced quilt of mainly cotton hexagons with 7 forming a 'flower' in a pattern often called 'Grandmother's Flower Garden'. The backing is glazed chintz and the padding is American polyester.
3000 x 1430mm
Utilitarian wholecloth quilt made from red flecked furnishing material. The padding is army blankets. It is machine sewn and quilted.
2100 x 2100mm
Ladies samples coverlet. Machine stitching. Multicoloured patching on the back.
1730 x 1220mm
"The quilt is of plain weave white cotton, quilted with white cotton thread. The design is 288 squares following the log cabin design. The lining is a fine white cotton.
The edges of the front face and the lining have been turned, and positioned within this seam is a ruffle. This ruffle is of very fine muslin with 2 rows of pin tucks along the edge. The ruffle runs along all edges of the quilt." [NGA] The quilt is not padded and is lined with white cotton fabric. 2400 x 2140mm
Possum skin cloak. The possum skins are sewn together with vegetable fibre or kangaroo sinew. Designs are incised into the skins, some of which are decorated with ochres. 2720 x 2100mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
Tailors' samples quilt. Random sized rectangles joined in rows. There is a 3cm wide pleated frill of navy woollen material. The padding (synthetic) and the backing (green and white striped cotton) are recent. 1900 x 1850mm.
A Durham quilt. All white mercerised cotton. The quilting is a floral design in each corner, a large floral design in the centre, edging all around of scallops and filled in with small squares on the diagonal. It is padded.
2000 x 2400mm
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
Patchwork quilt (one of a pair) made from hexagons in cottons, rayon, and taffeta, to fit a single bed. The quilt has a pleated ruffle or flounce of pale green fabric. Patchwork machine sewn onto backing, flounce sewn by machine.
Julie Bos
All over pattern of cotton rectangles mainly in borders with the outer border grey cotton. There is no padding. The backing is wholecloth of pink and red printed cotton.
1200 x 1290mm

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