Quilts

Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Patterned cover for a 'night and day' type bed or lounge. White background with a pattern of swirling stripes, squares and leaf motifs in orange, pale blue, pale green and fawn.There is a deep ruffle on 2 sides. The backing is cotton.
2400 x 2000mm
Quilt in crazy patchwork, in velvet, silk and cotton, decorated on seams and patches with embroidery. Padded with flannelette, and backed with damask. Quilt has an olive green frill around the edge.
190 x 1500mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
Patchwork quilt with centre frame of 4 pointed starwith radiating borders of pieced squares and rectangles. Materials are cottons and some linen and it is constructed using the English hand piecing method. There is no padding and it is backed with cotton sheeting joined by machine so it is a later addition.
1400 x 1050mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Patchwork quilt top in Tumbling Block or Robbing Peter to pay Paul pattern, in printed cottons. No lining or backing.
2690 x 2640mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
Norma Gilchrist
Cotton quilt made entirely of hexagons joined to form 'flowers'. Flowers are not formed into a pattern. All hexagons are hand stitched including on to the blue headcloth border which is then machined on to the same backing material. The quilt is made from dressmaking scraps, mainly offcuts from the children's clothes including from pyjamas, dresses and uniforms. It is not quilted.
2180 x 1710mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Patchwork quilt made in Log Cabin blocks from silk velvet and grosgrain. The pattern variation is known as 'straight furrow'. No padding. The backing is made from cream silk with a floral monogram embroidered in satin and stem stitch, featuring the letter 'M'.
1620 x 1620mm
Norma Gilchrist
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Quilt of hexagon patchwork, with nylon wadding. To fit a queen size bed.
2100 x 2100mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Cot quilt with both sides of faded blue cotton sateen with pale brown moire effect lines. Piped edges. Machine quilted to form two borders around a central rectangular panel, which has a simple but decorative stitched design with six points, at each of which is a small eyelet, finished with cream thread. The padding is feathers.
"This is a hard quilt to date. Quilting design has been (I would say) pre stamped. Heavily quilted. Some applique stars - I think polished cotton. Seersucker backing, quilting not quilted on back (seersucker). Padding is some kind of cotton perhaps cotton wool that has disintegrated to the corners. This quilt has been well made but a little bit worse for wear now." [Lyn Cross]
1500 x 1200 mm.
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Quilt of three layers with matt insert and floral cover.
1300 x 680mm

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