Quilts

Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm

Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
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Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm

The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm

The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm

"This patchwork is pieced from twelve contained panels of Crazy Patchwork. Each panel is formed of rich silks of various weaves and textures couched on to a calico ground, each patch overlaid to create interesting 'artistic' shapes and contrasts. The rug is backed with gold polished cotton and bordered in blue and green cotton to three edges, maroon to the fourth. Embroidery in several colours, but predominantly gold, is used to advantage in the variety of stitches which define the edges of the pieces, and occasionally on the patches themselves."
[Historic Houses Trust ' Sydney Quilt Stories' catalogue]
1880 x 1500mm

Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm

Hand sewn frame quilt featuring appliqué. There is a centre square surrounded by two wide borders. The design consists of a large basket in each corner of the square with leaves and buds scattered at random. The 2 borders have flowers and leaves and the outer wide border has a small basket in each side. Colours are pale and strong pinks, blues shading to indigo, browns-beiges and dusty red. The centres of the flowers are all reverse appliqué. There are signs that there has been a backing but it is now one layer. 2700 x 2700 mm.

"A double bedspread composed of Suffolk puffs of fine white cotton, each puff measuring 50mm in diameter. The puffs are hand stitched together, with crochet worked in the spaces in between. A deep frill of white cotton has been added to three sides of the quilt. Two matching pillow shams have been made from 30mm puffs; each sham is edged with a generous bias cut cotton frill on all four sides." [PHM]
2770 x 2560mm