Quilts

Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Migration Museum
Patchwork quilt in the Double Irish Chain pattern, made from deep pink and white cotton fabrics, with two borders, of pink then white, and bound with the dark pink. Cotton backing. Filling unknown. White squares appear to be outline quilted, white blocks between the chains have an intricate quilted star pattern, and the two borders are quilted with a single cable.
2500 x 2110mm
Quilted wholecloth cover of pink cotton material with a floral design. Quilted squares create the centrepiece surrounded by a border of three rows of quilting. It has piped edges.
The padding is feathers.
1700 x 1350mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Margaret-Anne M Thomas
Multi coloured square cotton pieces used to form a 'postage stamp' pattern. The squares are 25mm and the quilt is hand pieced and hand quilted. There is a thin edge of brown on all sides. There is no padding and the backing is joined pieces of floral cotton.
2330 x 2130mm
"A rectangular patchwork quilt made in the 'tumbling blocks' pattern using dark and lighter patterned silks. In 'tumbling blocks', one light, one medium and one dark toned diamond piece are joined to form a hexagonal shape. The hexagons are pieced with the different tones regularly oriented so that they create a three dimensional illusion of rows of cubes or blocks. The quilt is hand pieced throughout and bordered with a tobacco-coloured glazed chintz. The backing papers have been removed." [PHM]
There is no padding or backing.
3012 x 2002mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
Josie Pappalardo
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
"A double bedspread composed of Suffolk puffs of fine white cotton, each puff measuring 50mm in diameter. The puffs are hand stitched together, with crochet worked in the spaces in between. A deep frill of white cotton has been added to three sides of the quilt. Two matching pillow shams have been made from 30mm puffs; each sham is edged with a generous bias cut cotton frill on all four sides." [PHM]
2770 x 2560mm
Patchwork quilt made from hexagon patches in cottons. No filling or padding. Backing is of green cotton.
2050 x 1600mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
Rug made from rabbit skins of a uniform grey-brown colour. The rug is pieced by joining 6 rows of 9 skins each with the rows going across the width of the rug. The backing of dark maroon wool extends beyond the fur and has a scalloped edge. 1700 x 1390mm
Helen Sparkman
Patchwork quilt made of hexagon patches from satin scraps. Hexagons are in solid colours and joined to make rosettes. Hand sewn.
1800 x 1025mm
Embroiderers' Guild Victoria
Cotton quilt in a design called 'Crossed Canoes'. Yellow background with various coloured cotton prints. Machine pieced and hand quilted in a diamond pattern. There is a thin padding and the backing is the same yellow cotton as on the top.
2040 x 1690mm
Cot quilt with both sides of faded blue cotton sateen with pale brown moire effect lines. Piped edges. Machine quilted to form two borders around a central rectangular panel, which has a simple but decorative stitched design with six points, at each of which is a small eyelet, finished with cream thread. The padding is feathers.
A cradle quilt. All cotton. In the tradition of the previous quilts made by Eva Leota Towe. Never used.
1017 x 813mm

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