Quilts

Crazy patchwork quilt in silks and velvets. Some patches with embroidered flowers, including wattle, worked in chenille thread. Machine quilting. There is a border of velvet. The backing is silk and has an envelope opening edged with silk cord. There is no padding. There is a matching nightgown sachet.
Embroiderers' Guild Victoria
One of a pair of quilts with traditional Durham quilting. All hand stitched. Elaborate quilting in a wide variety of patterns. The backing material is the same as the top.
2340 x 2000mm
Wholecloth quilt from Macedonia. Both sides are made of satin. Old gold colour on one side and burgundy on the other. It is machine quilted with 3 parallel lines of stitching around the edge and a double row of stitching forming triangles in the centre. The padding is raw cotton grown in (FYRO) Macedonia.
2000 x 1500mm
Handsewn quilt of octagon shaped printed patches. Stitching is in red and white cotton. The backing is heavy cream calico. It is closely quilted in bands of floral and wave patterns.
1950 x 1600mm
White cotton quilt of blocks with an embroidered flower in each one. The whole 'garden' is encircled by an appliqued picket fence. There is a cotton backing but no padding.
1840 x 1820mm
Cotton material, pink one side and orange the other. Hand quilting is in a geometric pattern in parallel lines. Padding is raw cotton. 2000 x 1460 mm
Helen Sparkman
Patchwork quilt. An old sheet was used as the base for the quilt then garments no longer suitable for wearing were stitched to the sheet. Then pieces of old tablecloths, curtains and dressmaking scraps were used to make the quilt top and back. Hand stitched and quilted with long stitches. It is a heavy quilt.
1600 x 1120mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
The Adelaide Chronicle 'International Quilt'. Squares of fawn cotton with alternate squares embroidered with scenes from different countries using coloured threads in a variety of stitches. The alternate squares have a pattern of feathered circle and this is back stitched in beige embroidery thread. The backing is turquoise cotton blend attached to the quilt with pale blue herringbone stitch. The quilt is padded.
2430 x 1440mm
Patchwork quilt made from squares in cotton fabrics, each piece 120mm square. Filling is a cotton blanket (army style), and the backing is a brushed cotton ticking with a wide green stripe and white, yellow and maroon stripes. Patches are decorated with white cotton herringbone stitch.
1750 x 1000mm
The top is suit samples or remnants cut in squares and machined together. The centre panel is bordered with cotton tape. Each square is also bordered and forms a grid. There is no padding and the backing is a white cotton sheet with a floral pattern. It is hand stitched along the edges.
1500 x 1500mm
Frame quilt in linen has a centre motif in broderie perse applique of a blue urn topped with a blue basket of flowers, and perched on the basket handle a parrot. This is in a blue oval, with butterflies, a ribbon at the top and several posies of roses. Either side is a panel of broderie perse flowers. There is a narrow frame of patterned fabric, then a border of triangles pieced to make squares, with octagonal printed patches at each corner. The outer border is of appliqued circles of printed fabric on a dark background. Hand sewn.
1770 x 1730mm
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Quilt of cotton hexagons, 6 form the petals of a flower with 1 in the centre. There are approximately 138 flowers in the quilt. It is all hand stitched including the edges on to deep blue backing. Wide variety of materials patterned and plain. Some were dress samples from John Wild in Wagga and some from her mother's (Betty Johnson, Wagga Wagga) dressmaking. The hexagons were stitched on papers cut from a glass template made by Celia's brother.
2370 x 2690mm
Cotton quilt, hand pieced from dress type materials with the backing applied by machine. The backing is calico and has maker's signatures embroidered on it. There is no padding.
2460 x 2300mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
Utilitarian quilt with the top made from machine pieced different shaped patches of floral cottons. The backing is machine pieced patches of navy blue and grey serge, some darned, probably from men's/boy's pants. The padding is not visible but is very lumpy and very thick making the quilt very heavy.
1460 x 1300mm
Machine made wholecloth quilt in gold satin cotton. "�...perhaps a new cover over the blue japara cotton base. Vaguely oval central medallion with floral tulip pattern in trapunto with ruching. Outside this is another trapunto pattern." [Edith Young]
The backing is gold satin cotton and the padding is quite thick, possibly down. 1720 x 1420 mm.
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
Quilt of Suffolk Puffs made from blue bags joined together. No padding or backing. The quilt has two matching pillowcases with lace trimmings.
2060 x 1980mm
Wholecloth quilt of floral cretonne with ballerina design. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1430 x 1170mm

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