Quilts

Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
Patchwork cot quilt, the top made from patterned and plain hexagons (110mm diam.) mainly in cottons, approx. 99 hexagons in total. Handsewn and stitched to a centre piece of material. Back is made of irregular pieces of cotton fabric, checks, florals, in squares or rectangles. Total of 3 layers in the quilt.
1310 x 1000mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
Quilt of hexagon patchwork, with nylon wadding. To fit a queen size bed.
2100 x 2100mm
Log cabin quilt with 90mm squares in cotton materials, white (or cream), faded blacks, dark blues, reds and browns. All the strips are very narrow. No actual padding as such but the quilt is fairly thick because with such narrow strips, there is so much seam allownace. The backing is a light calico.
1715 x 1575mm
This quilt is made up of 25 squares, each 10 x 10 inches of pure white linen. Each squre has been hemstitched around and very neatly sewn together. The centre square is embroidered 'Gilgandra Methodist Church Renovations completed 1st October 1926. J.W.Hynes, President of Conference'. All other squares have names or initials beautifully embroidered in white. There are 238 signatures, 60 initials plus centre square.
1271 x 1271 mm
Double bed sized quilt with a top of random shapes in a random design, bordered with plain brown cotton. The padding is two quilts.
2100 x 180omm (approx)
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
Embroiderers' Guild Victoria
Crazy patchwork quilt, hand pieced in velvets, brocades and silks. Embroidery in yellow stranded thread in various stitches around the patches. Stitches include, single and double feather, numerous buttonhole variations and herringbone. There are also embroidered motifs including butterflies, leaves and flowers. Purple velvet ribbon, also embroidered with herringbone stitch, overlays the squares. The padding is a fluffy cotton and the backing is a thin cotton.
1900 x 1800mm
Jean East
Doll's quilt of crazy patchwork of cotton fabrics including handkerchiefs, mainly in checks and stripes, in pinks, yellow, blues and black, stitched to a cotton backing with herringbone stitch in embroidery thread in brown, light brown, and white..
327 x 320mm
National Parks & Wildlife Service of SA
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
Jenny Loder and Rosemary Hart
Log cabin quilt with logs made from silks (including moire), velvets, brocades and tartan ribbons. Each square is separately backed. There is no padding.
2020 x 1460mm
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
Wholecloth quilt of pink satin with an edging all around of pleated satin. The quilting pattern is a central design of a large oval shape surrounded by crescents and parallel lines. The padding is cotton wadding.
2240 x 1820mm
Quilt of brown woollen patchwork on both sides.
1770 x 1750mm
Ella Jarvis
Patchwork frame quilt with frame design on both sides, made from print and plain cottons. Front has blue floral rectangle with a bright blue scalloped frame, then 2 blue floral frames, a dark blue frame, a purple patterned frame, and 2 outer borders in blue, black and yellow prints. Reverse has centre of turquoise, with a frame of orange and blue prints, a pointed border of dark blue, a wide frame of pale blue print, then 3 borders on orange, blue, brown and white prints. Filling is old blankets. 1520 x 1410mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
Patchwork quilt made of gathered circles stitched into a square shape. Made of scraps of fabrics from the depression period. The maker called the shapes 'squirkles'. No padding. Quilt is lined.
2100 x 1400mm
Quilt top has a white background with pink and purple applique hearts and stars in the centre within a pink circle and square border, letters are appliqued in pink. Inscription is: 'Mary Hunt is my name Dapto is my dwelling place When I am dead and all my'� (incomplete)
1000 x 1000mm

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