Quilts

Patchwork quilt made from hexagon patches in cottons. No filling or padding. Backing is of green cotton.
2050 x 1600mm
Wholecloth quilt of cream cotton embroidered in lemon thread with names of teachers and students. No filling. Backing is of cream cotton.
1830 x 1250mm
Embroiderers' Guild Victoria
Hexagon shaped patchwork cover in an all over design based on very small hexagons in plain colours and prints. It is unfinished and there is no backing. Some of the materials have been dated to the 1830s and it is thought they came from old garments.
1600 x 1800mm
Helen Sparkman
Wholecloth quilt mainly made from material with a green and yellow leaf pattern on a black background. This material was also used in another quilt. The backing has a large centre panel of checked material with panels either side of the leaf pattern from the top. The owner wrote that the uneven thickness of this quilt may indicate that old garments were used as 'batting' similar to her mother's (Matilda Pitt) quilts.
1520 x 850mm
Helen Sparkman
Patchwork quilt made of Suffolk Puffs mainly in cottons. It has a light green wholecloth backing.
2100 x 950mm
Patterned cover for a 'night and day' type bed or lounge. White background with a pattern of swirling stripes, squares and leaf motifs in orange, pale blue, pale green and fawn.There is a deep ruffle on 2 sides. The backing is cotton.
2400 x 2000mm
The top of this quilt is large pieced rectangles of herringbone wool in greys and browns. The backing is pieced check wools.
1210 x 1690mms
Quilt made from suitings and cloth patchwork, hand stitched with blanket insert and pieces of knitting from garments.
1900 x 1190mm
Handworked patchwork quilt. Pattern of squares as diamonds. Woollen materials.
1520 x 1520mm
"A rectangular patchwork quilt made in the 'tumbling blocks' pattern using dark and lighter patterned silks. In 'tumbling blocks', one light, one medium and one dark toned diamond piece are joined to form a hexagonal shape. The hexagons are pieced with the different tones regularly oriented so that they create a three dimensional illusion of rows of cubes or blocks. The quilt is hand pieced throughout and bordered with a tobacco-coloured glazed chintz. The backing papers have been removed." [PHM]
There is no padding or backing.
3012 x 2002mm
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
Patchwork quilt made from rectangles and squares of wool fabric, sewn into strips and then sewn together. Both sides are pieced using family clothing, cut up and reused.
1449 x 1017mm
Cotton quilt in green, red and white paisley print. It is sewn with 4 bands and 2 irregular centre shapes. The reverse side is identical to the top side. The padding is feathers.
1660 x 1400mm
Quilt/rug of show ribbons. 40 woollen 1st, 2nd, 3rd and 4th prize ribbons sewn together. Colours are blue, red, yellow and white. Backing is blue cotton.
1600 x 1600 mm
Norma Gilchrist
Cotton quilt made entirely of hexagons joined to form 'flowers'. Flowers are not formed into a pattern. All hexagons are hand stitched including on to the blue headcloth border which is then machined on to the same backing material. The quilt is made from dressmaking scraps, mainly offcuts from the children's clothes including from pyjamas, dresses and uniforms. It is not quilted.
2180 x 1710mm
"This is a crazy quilt consisting of nine panels of crazy patchwork joined together with bands of olive cotton sateen fabric. The fabrics of the patchwork are a rich variety of silk brocades, silk ribbons, fabrics with metallic threads and velvets. The embroidery is of a variety of silk threads, including chenille.
The quilt is padded with a layer of cotton wadding backed with a piece of tarlatan. The padding is only present beneath the patchwork panels and the bands that join them. There is no padding in the edge border of the quilt. The layers are quilted with machine sewing.
The quilt is fully lined with the olive sateen fabric used to join the patchwork panels on the front face." [NGA]
Norma Gilchrist
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
Wholecloth quilt made of two layers, the top in white cotton sheeting and the backing in a heavier white cotton twill. The layers are joined by quilting, handstitched in a chevron pattern using a coarse white cotton thread. The edges of the quilt are bound with strips of white cotton sheeting. Three edges of the quilt have a scalloped sedge with the top edge of the quilt straight.
Pencil marks are still visible, marking out the chevron pattern.
2630mm x 1920mm
Quilt, Grandmother's Flower Garden pattern, has hexagon flowers with plain centres and floral material for 'petals', and paths of mid to dark blue. Cotton fabric. No padding. Backing is of unbleached calico.
The quilt is made from dark coloured tailors' samples. There is no padding and the backing is pieced scraps of cotton.
1950 x 1650 mm

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