Quilts

Patchwork quilt of diamond shapes in cotton fabrics. Patterns include florals, spots and stripes, and colours are navy, red, pink and grey. No padding. Backing is of strips of cotton in pinks and fawns sewn together.
2236 x 1931mm
Embroiderers' Guild Victoria
Crazy patchwork quilt, hand pieced in velvets, brocades and silks. Embroidery in yellow stranded thread in various stitches around the patches. Stitches include, single and double feather, numerous buttonhole variations and herringbone. There are also embroidered motifs including butterflies, leaves and flowers. Purple velvet ribbon, also embroidered with herringbone stitch, overlays the squares. The padding is a fluffy cotton and the backing is a thin cotton.
1900 x 1800mm
White cotton quilt of gathered hexagons. Hand embroidered roses in the centre of each hexagon. It is quilted.
2395 x 2286mm
Wholecloth quilt of white linen with signatures embroidered in satin and stem stitch. Approximately 400 signatures as well as the names of district servicemen are arranged in flower shapes and geometric grids. Embroidered title on the quilt reads: 'Rylstone Autograph Quilt. For our Australian wounded, Dardanelles, 1915.' There is no backing.
2580 x 1730mm
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
Quilted wholecloth cover of pink cotton material with a floral design. Quilted squares create the centrepiece surrounded by a border of three rows of quilting. It has piped edges.
The padding is feathers.
1700 x 1350mm
Utility quilt made from large squares of reused woollen materials joined in strips. All hand sewn. There is no padding and the backing is a piece of woollen material. 2000 x 1300mm
Helen Sparkman
Patchwork quilt made from very large pieces of cotton material on one side, with a 100mm yellow border, and on the other side it is almost entirely blue flannelette.
1660 x 1400mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
Wholecloth quilt with the top a patterned material of red and yellow carnations. The backing is red and there is a wide red border. The quilting pattern is mainly parallel lines. The padding is cotton grown by Maria's family on the island of Rhodes.
2040 x 1670mm
Utilitarian wholecloth quilt made from red flecked furnishing material. The padding is army blankets. It is machine sewn and quilted.
2100 x 2100mm
Quilt of cotton [pieces], machine and hand stitched, with black knitted [wool] insert.
1940 x 1000mm
Utilitarian quilt made from roughly square patches of tailors' samples and men's suitings. The backing is calico and a border has been formed by turning the top under. The padding is ticking and pieced reused clothing.
2000 x 1400mm
Double bed size quilt, which the owner calls 'Devon Puffs', with main pattern in centre. 2100 x 1800mm.
The Wilmington Wagga' 1934. Wool and cotton. Hand and machine pieced. Machine quilted. The wagga is made of parts of several worn coats, carefully pieced together so that the linings are visible in places. One coat sleeve has a fur fabric trim and worn areas are patched.
1600 x 1200mm
Helen Sparkman
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
Patchwork quilt made of gathered circles stitched into a square shape. Made of scraps of fabrics from the depression period. The maker called the shapes 'squirkles'. No padding. Quilt is lined.
2100 x 1400mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
Mary-O Roberts
This domestic Wagga is made from an opened out jute wool bale as the padding with a woollen blanket as the backing. The top was originally curtains (brown cotton printed with daisies and dull yellow tulips) and the material has been folded over to the back for 60mm and stitched with 'Barbour's Linen Wax Thread' using running stitches about 50mm long. The whole domestic Wagga is then stitched in a large square grid.
1980 x 1730mm
"A rectangular double sided quilt, made from gold sateen fabric on one side and red sateen embossed with a delicate scrolling leaf design on the other. The quilt is machine stitched and hand quilted with a design of stylised scrolling leaf and flower motifs that surround the central initials 'M.S'. The edges are deeply scalloped with quilted heart-shaped motifs in each scallop. The quilt is very thick and heavy, like an eiderdown or an old fashioned doona." [PHM] It is padded.
2550 x 2390mm

Pages