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Kangaroo skin rug with pelts arranged so that the largest and palest are in the centre and the smaller towards the outside. There are 34 large pelts and 31 half pelts, all rectangular. The backing is maroon felt, scalloped and pinked.
1850 a 1600mm
The top of this quilt is made from men's suiting samples and the backing is cream cotton. It is machine stitched. There is no padding and no quilting.
2160 x 1550mm
2160 x 1550mm
Patchwork quilt of square and lozenge patches of silk, taffeta and ribbed silk patches in purples, greens, blues and reds, and pastels, in brocades, stripes, checks and plains. The block pattern is four lozenge patches around a centre square patch. A group of these patches in the dark bright colours form a central diamond, with pastel groups around. The darker colours are used to form the border of 'square' patches. Hand sewn, machine quilted. Backing of [silk], padding is cotton.
2450 x 2100mm
2450 x 2100mm
Child's cot quilt of crazy patchwork, with patches of velvet, silk brocade and satin, all seams embroidered with feather stitch in different coloured threads. There is a wide border of peach-brown velvet. Backing is a floral cotton. Has been in poor condition, conserved by Artlab SA.
1490 x 1000mm
1490 x 1000mm
The top is a wholecloth, coarse, bluish cotton, furnishing weight material, probably part of a curtain. The backing is half the same material and half is part of a brown travelling rug. The padding is 2 heavy pieces of coarse jute bag roughly sewn together with twine.
1600 x 1360mm
1600 x 1360mm
Utility quilt, machine pieced from mainly squares of dress materials in many different patterns. The backing is a wholecloth paisley print. The padding is pieced used clothing and materials including chenille and plush.
1950 x 1270mm
1950 x 1270mm
Domestic Wagga made from bags with a top of irregular patches of cotton material, mainly from dress scraps, and a backing of calico.
1578 x 1094mm
1578 x 1094mm
Patchwork quilt made from tailors' samples, constructed of 144 rectangles each approx. 100 x 160mm. Colours are greys, blues, browns, fawns, plains and patterned. At the top and bottom edges 16 same size rectangles have been folded in half. No filling. Backing is a cream and brown patterned flannelette.
1880 x 1260mm
1880 x 1260mm
Wholecloth quilt of red and green striped cotton cretonne. Top and backing are the same material. The padding is old blankets. It is machine stitched. 1580 x 1130mm
Wholecloth quilt with replacement cover (1958) of green damask type synthetic sateen. The padding is 2 old blankets with staples of cross bred wool hand tacked to one blanket.
1400 x 1210mm
1400 x 1210mm
Suffolk Puff quilt in a wide variety of cotton materials patterned and plain. There is no backing.
11900 x 1350mm
11900 x 1350mm
Wholecloth quilt made from dusty pink brocade with an all-over large leaf pattern. It is all hand stitched with quilting of parallel lines forming the border. Both sides are the same material. The padding is cotton wool.
2060 x 1770mm
2060 x 1770mm
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a friend's factory and from another friend's dress material scraps." [PHM] There is no padding. The backing is 'Actil' unbleached sheeting dyed pale blue and attached with a blind stitch to the quilt top. A central rosette set within a large diamond of hexagons decorates the back and is stitched through to hold the 2 layers together.
2720 x 1880mm
2720 x 1880mm
Domestic Wagga, floral patterned rayon cover with jute lining.
2000 x 1000mm
2000 x 1000mm
Utilitarian quilt made from roughly square patches of tailors' samples and men's suitings. The backing is calico and a border has been formed by turning the top under. The padding is ticking and pieced reused clothing.
2000 x 1400mm
2000 x 1400mm
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
1626 x 1093mm
Wholecloth quilt of cotton sateen. Pink one side and red the other. Elaborate all over quilting pattern with the quilting thread tightly twisted thickish cotton and quilted at 3 stitches to the inch. A piece of the quilt has been cut off at some stage. The padding is kapok.
2337 x 1499mm
2337 x 1499mm
Patchwork quilt made of gathered circles stitched into a square shape. Made of scraps of fabrics from the depression period. The maker called the shapes 'squirkles'. No padding. Quilt is lined.
2100 x 1400mm
2100 x 1400mm
The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]