Quilt No.1116YG - Yiota Grigorakis

Yiota Grigorakis
Owner: 
Yiota Grigorakis
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
GREECE
Date: 
1921 - 1940
Description: 
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
History: 

The quilt was made in the village of Smerna or in nearby Pirgos, on the western side of the Peloponnesus by an unknown maker. It was made for Giorgia Nikolakopoulou as part of her dowry. The quilt is now owned by her daughter Yiota Grigorakis. It is not used.

Story: 

"Yiota's Paploma. Yiota's beautiful paploma (quilt) made in 1932, was handed down to her from her mother. It was part of Georgia's prika, the dowry which every Greek girl has when she marries. Georgia's mother, Vasiliki Pantazopoulou would have ordered the paploma to be made by someone in their village of Smerna, or in nearby Pirgos, on the western side of the Peloponnesus, Greece's southern mainland.
Yiota was born in 1952, the third child after Vasiliki and Costa. Her parents, Grigori and Georgia Nikolakopoulou owned fields, horafiaa, and grew their own grapes, sultanas, citrus fruit, cotton and staple olives. But, the post- war decades in Greece were very difficult economically, and many families moved to Athens to try to find work. So, at the age of twelve, Yiota joined various members of her family in Athens, where she worked until migrating to Australia in 1970.
After working in Botany for two years, Yiota married Kyriako Grigorakis who, for forty years, ran his own fitter-and-turner business. They have two daughters, Aristea and Georgia.
Iota speaks with gratitude about the life they have made in Australia. Her house, with its vine covered veranda and palm trees, is a reminder of what she left behind, as is her paploma, which is still in excellent condition."
[Written by Lula Saunders, adapted from interview 15.2.02 for the National Quilt Register.]

Yiota with her quilt
Yiota with her quilt
Yiota in front of her house 2002
Yiota in front of her house 2002

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
National Trust of Australia (TAS)
Unfinished small quilt top of pale blue linen with squares of embroidery and silk patches appliqued and embroidered. The centre has embroidered coat of arms of the Baillie (or Bayley)family. Embroidered motifs are flowers, domestic items, anchor, butterfly, fan, basket, gardening implements. Total of 99 patches in silk, linen and cotton.
873 x 845mm
Robert Constable
Hand embroidered pink silk quilt with white embroidery. Wide border of hand made lace thought to be French late 18th century. Cream silk backing and very thin padding.
2700 x 2400mm
Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm