Quilt No.756PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
AUSTRALIA
Date: 
1851 - 1880
Description: 
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
History: 

The quilt was a gift of the Royal Australian Historical Society in 1983. No earlier provenance information available. The quilt is used for research and exhibition purposes only.

Story: 

"Although the identity of the maker of the quilt is unknown, we can presume much about her (or him) from the choice of materials and the design. Because of the apparent reuse of the kind of damask fabrics used to make table cloths and napkins for the patches and the border, we can presume the maker was concerned to practice economy. From the clarity and exhuberance of the design, we can also reconstruct a maker who had an excellent design sense. Because the bold combination of red and white was particularly popular in Ireland in the 1800s, we may even suppose that the maker was Irish." [PHM]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Maria Ahilas
The quilt top is of rose-pink satin and the backing is a lighter pink cotton. The quilting pattern is a large central 'wheel' motif repeated from each corner like a fan. The centre 'wheel' is surrounded by a single feathered wreath and diamond fill pattern. Hand quilted. The padding is cotton wadding from cotton grown on Lesvos island.
2000 x 1600mm
Inverell Pioneer Village
Wholecloth quilt made of red floral crinoline cotton material. Quilting is in vertical rows, alternating cables with orange peel patterns. Padding is of cotton flock. Backing is of white cotton. Quilt is edged with a self fabric ruffle on three sides. Hand sewn.
2236 x 2236mm
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
Red Cliffs Historical Society
Garland with berries appliqued on wholecloth quilt of off white cotton. The backing is whole cloth in soft green. The garland (ribbon appearance) is in floral patterned green. The red berries are padded. It is machine quilted. Dacron type padding.
1820 x 1500mm