Quilt No.730NS - Nancy Stinson

Nancy Stinson
Owner: 
Nancy Stinson
Location: 
NSW Riverina
Maker
Maker: 
Sara Harborne
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
This quilt is one of a pair. The original padding by Sara Harborne consists of layers of pieced used clothing including; part of Sara's shawl (gold), part cream woollen blanket, part 'neck to knee' bathers pink and black/blue. Later additions by Nancy Stinson (daughter) are; orange pieces (part of husband Logan's pullover) and 2 bunny rugs made by Nancy's sister Enid. The padding has had 2 cotton wholecloth covers, the second one put on by Nancy in 1980.
1730 x 1020mm
History: 

Sara Harborne made the padding and the first cover(discarded long ago) of this quilt in Billinudgell on the north coast of NSW c.1933. It was made to go on a camp stretcher at their beach camping holiday. It is now owned by Sara's daughter Nancy Stinson who made a second cover for the same padding c.1980. It is not used now.

Story: 

"The quilts were made by Nancy Stinson's mother, Sara Harborne (1893-1978) in about 1933.
Sara's husband was a school teacher and in 1931 the family went to Billinudgel. The children were Enid, Nancy and James. New Brighton Beach, about where Ocean Shores is now, was close to Billinudgel and just north of Brunswick Heads. Sara and the children went there for some years for a camping beach holiday. The 2 quilts were made to go on the camp stretchers. The family had 2 tents, one for the kitchen and one for sleeping. There was hessian put around 3 trees and this area was for changing in. Sara's husband did not like the beach and did not go on the camping holidays. He stayed at Fernleigh and looked after the animals. The family had moved to Fernleigh in 1934, it was about 25 miles from Billinudgel.
Sara was an excellent seamstress and made all the children's clothes until they went to High School. Nancy remembers only one bought dress and that was when she went to hospital to get her tonsils out. Sara used to get catalogues from Farmers, David Jones and Anthony Horderns and Nancy remembers calico aprons with pre stamped patterns on them. She remembers sewing many of these including fancy working one that had Phar Lap on it in 1933.
At Fernleigh Nancy worked for 9 weeks for 45/- in order to buy a watch for 2 pounds ten shillings. She helped neighbours who lived about half a mile down the road, helping milk the cows and other farm jobs. Her mother Sara, put in the last 5/- for the watch. Nancy and her sister rode horses 4 miles to Nashburn railway station to catch the North Coast mail train for about 16 miles to Lismore where they went to High School so Nancy had to have a watch,
Nancy identified many pieces of clothing in the padding for the quilts and thought the dark woollen 'neck to knee' bathers came from her mother and father and the lighter ones belonged to Nancy and her sister Enid. Nancy mentioned a label still on one piece of the light green bathers inside the neck: 'Sydney Snow Ltd. Pitt and Liverpool St, Sydney, N.S.W.'
Nancy (born 1923) and Logan (deceased) were married in 1951 and have 5 children (Bill 1952, Wendy 1955, Robyn 1957, Peter 1960, David 1967. The quilts came to her some time after they were at 'Kinloch' on the Temora road where they were in general use on the beds. They came to town (Coolamon) to Dunrobin Street in 1973 and Peter and David mainly used the quilts. Peter took one to Bringabee Station where he was working and David used one at Dunrobin Street.
Nancy values the quilts that have only ever had two covers. She is a fine needlewoman herself, likes quilting and is good at many crafts."
[Notes taken on visit to Nancy Stinson by Morley Grainger and Wendy Hucker on 30.1.2000 and phone conversation between Nancy and Wendy on 31.1.2000]

The house at Billinudgel 1930s
The house at Billinudgel 1930s
New Brighton c.1940 Nancy on the right
New Brighton c.1940 Nancy on the right
On the Brunswick River 1930s
On the Brunswick River 1930s
Sara Harborne on the left
Sara Harborne on the left

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
National Gallery of Australia
" A coverlet of 7 pieces of cream muslin. The edges of the work are secured at the top and sides with bands of green and floral strips. The lower edge has been turned and hemmed. The 'quilt' is highly decorated with bands and diamonds of appliqué fabric. The upper centre field is appliquéd with images depicting Adam and Eve in the Garden of Eden surrounded by trees and a variety of animals and insects. In the centre is a smaller appliquéd image of the manger with mangel and cows. The quilt is not signed or dated, but each of the imaged areas is accompanied by a descriptive text. The writing is executed in black chain stitch. Beads and sequins have been used to depict the eyes of some of the animals in the Garden of Eden. As with all of Mary Jane Hannaford's quilts all work is hand sewn and quite crude and coarse in execution. The quilt is not padded or lined." [NGA] 1810 x 1590mm
The Embroiderers' Guild of S.A.Inc Museum
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Bob Sloan
Double sided quilt made from all wool worsted suiting samples. Machine construction. There is no padding.
1840 x 1330mm