Quilt No.1033NG - Narelle Grieve

Narelle Grieve
Owner: 
Narelle Grieve
Location: 
NSW Sydney
Maker
Maker: 
Unknown sailor
Made in
SHIPBOARD
Date: 
pre 1850
Description: 
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
History: 

The quilt was made by an unidentified sailor c.1846. It was given to Jane Williams of Somerset, England who backed it and sent it to Australia to Annie Smith, her sister-in-law in Sydney. It then passed by family descent to Annie's grandson, John Henderson of Middle Cove, Sydney from whom the present owner, Narelle Grieve, acquired it. It is not used.

Story: 

"It was not unusual for the European sailors of previous centuries to engage in the art of quilting. They needed to be able to sew in order to mend their sails, and quilting was a way of passing time while developing their sewing technique. Most sailors were talented needle people, as the fine stitches and intricate design of this quilt demonstrates.
Many of the lands which the sailors visited offered exotic fabrics and the silk used to make the tiny diamonds in this quilt may have originated in India. Papers still contained within the hexagons around the border of the quilt may be able to verify the origin of this fabric. This may also give some insights into the sailor's life and travels, but Narelle explains that she would have to unpick the backing to get to them and that could ruin the frail silk fabric." [extract from unidentified article supplied by the present owner.]

Related Quilts:

Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Jean Gill
Patchwork quilt featuring centre block of log cabin surrounded by borders. Handsewn. Wide variety of materials including some velvet. Appliqued flowers.
1703 x 1575mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Shelley Cameron
Cotton scrap quilt with shapes of squares and diamonds and strips. There is no padding and the backing is calico.
2125 x 1440mm