Quilt No.74MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt, all cotton including cotton padding. Pattern is based on squares and a cross. Variety of fabrics, plain and patterned. Hand stitched and quilted.
2083 x 1626mm
History: 

This quilt was made by Eva Leota Towe in southern California, U.S.A prior to 1940. In 1950 her grand-daughter Mare (later Carter) came to Australia. In 1953 Eva Died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts, when she visited Australia". This is now one of 16 of Eva's quilts owned by Mare Carter. They have been well used and much loved and are now used only occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940

Related Quilts:

National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Art Gallery of South Australia
Frame cot quilt in cotton fabrics, the centre square in a paisley print surrounded by two plain borders or frames, then two frames pieced in alternate light and dark triangles, then a frame in a floral print. Outer border is of red fabric, longer at top and bottom to make a rectangle. No quilting. Machine sewn.
1050 x 770mm
Tasmanian Museum and Art Gallery
The quilt consists of a central field within a main field within a narrow border a main border and then an outer border. The centre field consists of embroidered Prince of Wales feathers with 4 embroidered motifs, parrot, duck, open fan and 4 playing cards within an appliqued sunburst border. The quilt has many embroidered and appliqued motifs, some just abstract shapes, many with a Chinese Japanese theme. It is quilted and padded but the type of padding is unknown. The backing is red cotton sateen.
2280 x 2240mm
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
N.S.W. Parks and Wildlife Service
This double sided quilt has a centre frame with an appliqued circle feather stitched on. This is surrounded by blocks and strips of mainly rectangles. It is hand pieced. The other side is very broad strips of rectangles mainly in florals some the same as other florals in quilts in the collection. The padding is a cotton blanket and some pieced shapes
The circle motif is common to other quilts in the 'Craigmoor' collection.
1650 x 1500mm