Quilt No.1048DH - Diane Kern Hamilton
Owner:
Diane Kern Hamilton
Location:
WA South West
Maker
Maker:
Unknown
Made in
USA
Patterms
Date:
1921 - 1940
Description:
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
1860 x 1550mm.
History:
The history is unknown except that it was bought at a garage sale in the Castro Valley of the San Francisco area of California, USA in approximately 1992 by the present owner. It is not used now.
Story:
"The way in which the present owner acquired the quilt is quite interesting. She went to a garage sale in the Castro Valley near San Francisco, California USA, and the quilt was being used to block up a broken window in the garage. So she was able to exchange an old acrylic blanket which she happened to have in the car for the very well worn quilt. As the acrylic blanket would not hold water the vendor thought that he was getting the best of the bargain." [Joy Hill Quilt Historian WAQA]
Related Quilts:
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1860 x 1760mm
1860 x 1760mm
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
2010 x 1910mm
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
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2430 x 2250mm
2430 x 2250mm
Cotton quilt entirely of hesagons. Some are formed into rostttes or flowers and have a print border of 12 hexagons, an inner circle of 6 hexagons in a plain colour and a yellow hexagon centre. The padding is cotton wool and the backing plain off white cotton.
2210 x 1430mm
2210 x 1430mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm