Quilt No.840AG - Annette Gero

Annette Gero
Owner: 
Annette Gero
Location: 
NSW Sydney
Maker
Maker: 
Jane Hope
Made in
ENGLAND Northumberland
Date: 
pre 1850
Description: 
Hand pieced frame quilt with centre frame and borders of squares set on point. There is a blue patterned border. The backing is white and it is finely quilted. "The fabrics themselves are all absolutely typical of the period [1830 t0 1840] and many, if not most, of them can be found as illustrations in historical textile reference books - in this respect the quilt is virtually a book chapter in itself and has a particular value to a quilt historian. At about this period in England cottons and chintzes were being produced in great quantity and were relatively modestly priced." [Annette...
History: 

The maker was Miss Jane Temperley Hope and the quilt was made in Hexham, Northumberland, England c.1840. In 1932 it was sent to Mrs. A.E.Talbot who was related to Miss Jane Temperley Hope on the maternal side. It is now in the collection of Annette Gero.

Story: 

"The Sydney Morning Herald, Wednesday, July 20, 1932 'A Century Old Patchwork Quilt is Mass of Fine Hand Quilting and Old Fashioned Chintzes. Very proud of this marvellous patchwork quilt is Mrs.A.E.Talbot, wife of Dean Talbot. The quilt which is made of pieces of the loveliest of patterned and gaily coloured chintzes, has a plain white lining, showing an intricate and beautiful pattern worked in quilting. It was the work of one, Miss Jane Temperley Hope, in 1798-1800, who lived at Hexham, Northumberland, England, an ancestress of Mrs. Talbot's on the mother side, and has been in the family ever since. It was recently sent to her mother, Mrs. A. Vert, who has passed it on.' It was brought to Sydney in 1932. The fabrics themselves are a document of chintz available in the 1830s and 40s making this quilt an important historical record." [Annette Gero]

Related Quilts:

Evelyn McAlister
Quilt made from dressmaking materials in a design probably made up by the maker but resembling 'Courthouse Steps'. The outer border of each block is mitred. Originally it was reversible but during restoration the back was brought to the front, doubling the size of the quilt. The padding is old woollen materials. The backing is a new piece of floral material. It is now machine quilted.
1830 x 1220mm
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Janine and Eva Chick
Hexagon quilt, hand sewn, using a wide variety of patterned and plain cotton scraps left over from dressmaking. 6 hexagons are placed around a centre one. There is no padding. The backing is brown flannel turned over to the front with hexagons hand stitched to it.
1220 x 763mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
Kathryn Thompson
Crazy patchwork quilt in a variety of cotton materials. There is no padding. The backing is old flour bags.
2000 x 2000mm
Rita Fiddian
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm