Quilt No.912UB - Una Braby
Description:
Cotton quilt made from squares of patterned and plain materials. It has a mauve cotton flounce around the border and a mauve cotton backing. There is no padding.
2700 x 1350mm
2700 x 1350mm
History:
The quilt was made by Maud Brown at Emu Flat, Binalong NSW in 1930. Maud was the daughter-in-law of Amelia Brown. It has always been in the Brown family and is owned by Maud's daughter Una Braby. It is not used.
Story:
Maud was the daughter-in-law of Amelia Brown who was born in Devon England, married John Brown in 1836 and came to Australia in 1857. They settled in the Yass district. Una Braby, the present owner, is one of Maud's 3 daughters.
"Most of the prints used in the quilt, are left-overs from frocks made for me and my 2 sisters. I am now 79 [and a half] and the only survivor of this generation of Browns." [Una Braby 17.1.2000]
Side of the house at Emu Flat where the quilt was made.
Related Quilts:
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1860 x 1760mm
1860 x 1760mm
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
2010 x 1910mm
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Patchwork quilt made from a variety of printed cottons over 70 prints, using shirting and dress fabrics, fabrics also from pyjamas, curtains, aprons, tablecloths. The centre medallion is a square within a square with white borders, the inner frame made of sawtooth triangles. This is surrounded by pieced triangles, square within a square and crosses. Outer frame of sawtooth triangles, and outer border pieced of squares and triangles. Colours are pinks, blues, burgundy and pastels, with floral, stripe and check prints. Lining of cotton. Backed with a printed cotton. Quilt is bound on all edges.
2430 x 2250mm
2430 x 2250mm
Cotton quilt entirely of hesagons. Some are formed into rostttes or flowers and have a print border of 12 hexagons, an inner circle of 6 hexagons in a plain colour and a yellow hexagon centre. The padding is cotton wool and the backing plain off white cotton.
2210 x 1430mm
2210 x 1430mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm