Quilt No.861AG - Annette Gero

Annette Gero
Owner: 
Annette Gero
Location: 
NSW Sydney
Maker
Maker: 
Sarah Wall
Made in
AUSTRALIA?
Date: 
pre 1850
Description: 
Hexagon quilt made from dimity, chintzes and dress material cottons. It is hand pieced over papers and hand quilted. The quilt is signed 'Sarah Wall Allestry 1811'.
2280 x 2200mm
History: 

This quilt is attributed to Sarah Litherland, later Wall. It is now owned by Julie Silber of 'The Quilt Complex', Oakland, California and is on long term loan to Annette Gero.

Story: 

"A Sarah Litherland was sentenced at Chester on 25 April 1797 to seven years transportation and arrived in NSW in 1801 aboard the Earl Cornwallis. She married a James Wall at St. John's Parramatta (Church of England) on 9 February 1807. James Wall was a resident of Hawkesbury. However, she eloped from him in 1809. Reported in the Sydney Gazette, 4th June, 1809, James Wall of Richmond Hill placed a notice cautioning the public against giving credit on his account to his wife Sarah Wall (formerly Litherland) as she had eloped from him and he would not be responsible for any debt she may contract.
The quilt is dated 1811. There is always the question of how she could afford the fabrics of chintzes and dimities in her quilt although they were readily obtainable in Sydney. Advertisements in the Sydney Gazette from 1803-1814 mention many sales and auctions of fabrics such as 'English cottons and dimity, palampores, colour cambric and English chintz', the kind of fabrics used in Sarah's quilt. However, was the quilt really made in Sydney? Allestry was a small town in the midlands of England at that time. Although a Sarah Wall lived in Sydney in 1811, we do not know whether this 'Sarah Wall' made the quilt. Unless there are descendants of the Richmond Hill Sarah Wall who have evidence that it was she who made the quilt we shall, unfortunately, never be able to definitely attribute this social history to the quilt."
[Annette Gero. Research by the Historic Houses Trust of NSW. Walsh, N., Index of References to Furniture and Furnishings in Advertisements in the Sydney Gazette 1803-1824, Historic Houses Trust of NSW, 1997]

Related Quilts:

La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm