Quilt No.381FB - Fay Burgess

Fay Burgess
Owner: 
Fay Burgess
Location: 
NSW Sydney
Maker
Maker: 
Eliza Hillyard and Ellen Page-Knight
Made in
ENGLAND
Patterms
Patchwork, Mosaic, Hexagon
Date: 
1901 - 1920
Description: 
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
History: 

Eliza Hillyard commenced the cover in England pre 1914. It was brought to Australia in 1914 when Eliza's daughter Ellen and her husband Tom (Thomas Montague Page-Knight) emigrated with their 4 children, Alice Maude, Vera, Beatrice Lucy and Charles Arthur. Ellen added rows of velvet and silk hexagons to Eliza's work. Ellen's daughter, Alice Maude , continued the work adding additional rows of hexagons. These are now the outer layer and still have some basting threads and papers in place. It is thought that Maude's work was in the 1930s and 1940s. The present owner, Fay Burgess, was given the work by her aunt Maude (Keage). Fay is the daughter of Vera May McGeachan (born Knight).

Story: 

Eliza Worth (later Hillyard) b. 1886 was a needlewoman to Queen Victoria, mending linen. Her daughter Ellen (later Knight) made corsets and it is thought that some of the silk hexagons were from off cuts of corsets. Maude, born 1911, had a business as a dressmaker and made dresses for women married at Elizabeth Bay House in Sydney.
The present owner has a basket of pieces from the quilt and also Eliza's work bag with her initials embroidered on it.

Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth
Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth

Related Quilts:

Ryder Lundy
Quilt No.1035RL - Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
Patchwork, Mosaic, Hexagon
National Gallery of Australia
Quilt No.977NGA - National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Patchwork, Pieced Repeat Block, Log Cabin
Robyn Gallaway
Quilt No.479RG - Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Patchwork, Mosaic, Square
Lorna Calder
Quilt No.581LC - Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm
Frame, Motifs or Names, Patchwork, Typically Australian
Euroa and District Historical Society
Quilt No.501EHS - Euroa and District Historical Society
Handsewn cotton hexagons in a wide variety of patterns. Centre oval of hexagons with 2 outer rings. There is no padding and the backing is white cotton.
2490 x 2200mm
Patchwork, Mosaic, Hexagon
Shelley Cameron
Quilt No.911SC - Shelley Cameron
Cotton scrap quilt with shapes of squares and diamonds and strips. There is no padding and the backing is calico.
2125 x 1440mm
Patchwork, Pieced Random