Quilt No.457RCH - Red Cliffs Historical Society

Red Cliffs Historical Society
Owner: 
Red Cliffs Historical Society
Location: 
VIC Northern
Maker
Maker: 
Florence Beaton
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
History: 

The quilt was made by Florence Beaton of Sunshine Farm in the 1950s or 1960s. It is now owned by the Red Cliffs Historical Society at Red Cliffs, Victoria. The society also has a fine collection of Florence and Clara's needlework.

Story: 

Florence (Flo) Beaton (born McNabb) 1920-1996 was the daughter of Clara and Frank McNabb who selected block 46 at Carwarp in the harsh mallee country of north western Victoria in 1913. They called it "Sunshine Farm". Florence was one of 4 childrten (3 boys). She recalled* that her Mother Clara once won a nail driving competition, was an expert with a shotgun, worked on the farm driving a team of horses, had a wonderful garden and was a fine needlewoman as was her mother Ellen before her. Flo carried on the needlework tradition of her mother and grandmother and was accomplished in many types of needlework including making quilts. Flo did not have any children.
[*Ref: "A Woman's Work" By Florence Beaton. The story of a Mallee farmer's wife from 1913. Published by The Sunnyland Press, Red Cliffs 1985.]

Related Quilts:

Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Art Gallery of South Australia
Frame cot quilt in cotton fabrics, the centre square in a paisley print surrounded by two plain borders or frames, then two frames pieced in alternate light and dark triangles, then a frame in a floral print. Outer border is of red fabric, longer at top and bottom to make a rectangle. No quilting. Machine sewn.
1050 x 770mm
Annette Gero
Quilt made from furnishing materials some with mettalic flecks. It is machine sewn.
160 x 135mm
Port Curtis Historical Soc.Inc.
Cotton Hexagon quilt with a wide variety of patterned and plain materials. Blue binding and a cotton backing. The padding is thought to be cotton wool.
1525 x 1220mm