Quilt No.769PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
ENGLAND
Date: 
pre 1850
Description: 
"A rectangular quilt made from hexagonal cotton patches, pieced in the traditional 'Grandmother's flower garden' design of scattered rosettes on a plain ground. The rosettes are made from six patterned hexagons around a seventh cream hexagon, which forms the flower centre. The patterned fabrics are a mix of small floral prints with some checks and geometric designs, and the colours are mainly shades of brown, blue maroon, pink and lilac. The ground fabric is plain cream. The quilt was made the English way and is hand sewn. Traces of the paper templates still remain." [PHM] There is no...
History: 

"The quilt was given to James and Emma Buttworth and family 'many years ago' by the last remaining member of the Weeks family, who brought the quilt with them from England to Australia."
"Miss Elva Buttworth gave the quilt to her neice Daphne Evans of Hamilton South, NSW and she in turn gave it to the Powerhouse Museum in 1980." [PHM]

Story: 

"Emma Buttworth was a descendant of the Matthew Boulton family (Boulton and Watt invented the steam engine and were famous silversmiths in Sheffield). She was born in Ghinni Ghinni on the Manning River in 1858. James Buttworth, whom she married in 1878, was the grandson of Sarah Rose the daughter of the first free settlers in Australia who married James Buttworth in 1812. Rose Cottage, the home of the Rose family, still stands today in Wilberforce and is the oldest timber cottage in Australia." [PHM]

Related Quilts:

Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Kaniva District Historical Society
Crazy patchwork quilt, mostly velvet, with two rectangular frames or borders of green fabric. All patchwork pieces have embroidery over the seams, mostly herringbone. Quilt is edged with a cream cotton ruffle. Cotton backing.
1625 x 1625mm