Quilt No.769PHM - Powerhouse Museum
Description:
"A rectangular quilt made from hexagonal cotton patches, pieced in the traditional 'Grandmother's flower garden' design of scattered rosettes on a plain ground. The rosettes are made from six patterned hexagons around a seventh cream hexagon, which forms the flower centre. The patterned fabrics are a mix of small floral prints with some checks and geometric designs, and the colours are mainly shades of brown, blue maroon, pink and lilac. The ground fabric is plain cream. The quilt was made the English way and is hand sewn. Traces of the paper templates still remain." [PHM] There is no...
History:
"The quilt was given to James and Emma Buttworth and family 'many years ago' by the last remaining member of the Weeks family, who brought the quilt with them from England to Australia."
"Miss Elva Buttworth gave the quilt to her neice Daphne Evans of Hamilton South, NSW and she in turn gave it to the Powerhouse Museum in 1980." [PHM]
Story:
"Emma Buttworth was a descendant of the Matthew Boulton family (Boulton and Watt invented the steam engine and were famous silversmiths in Sheffield). She was born in Ghinni Ghinni on the Manning River in 1858. James Buttworth, whom she married in 1878, was the grandson of Sarah Rose the daughter of the first free settlers in Australia who married James Buttworth in 1812. Rose Cottage, the home of the Rose family, still stands today in Wilberforce and is the oldest timber cottage in Australia." [PHM]
Related Quilts:
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
1500 x 1200mm
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
1580 x 1830mm
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
2439 x 1829mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.