Quilt No.769PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
ENGLAND
Date: 
pre 1850
Description: 
"A rectangular quilt made from hexagonal cotton patches, pieced in the traditional 'Grandmother's flower garden' design of scattered rosettes on a plain ground. The rosettes are made from six patterned hexagons around a seventh cream hexagon, which forms the flower centre. The patterned fabrics are a mix of small floral prints with some checks and geometric designs, and the colours are mainly shades of brown, blue maroon, pink and lilac. The ground fabric is plain cream. The quilt was made the English way and is hand sewn. Traces of the paper templates still remain." [PHM] There is no...
History: 

"The quilt was given to James and Emma Buttworth and family 'many years ago' by the last remaining member of the Weeks family, who brought the quilt with them from England to Australia."
"Miss Elva Buttworth gave the quilt to her neice Daphne Evans of Hamilton South, NSW and she in turn gave it to the Powerhouse Museum in 1980." [PHM]

Story: 

"Emma Buttworth was a descendant of the Matthew Boulton family (Boulton and Watt invented the steam engine and were famous silversmiths in Sheffield). She was born in Ghinni Ghinni on the Manning River in 1858. James Buttworth, whom she married in 1878, was the grandson of Sarah Rose the daughter of the first free settlers in Australia who married James Buttworth in 1812. Rose Cottage, the home of the Rose family, still stands today in Wilberforce and is the oldest timber cottage in Australia." [PHM]

Related Quilts:

Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
Julie Bos
Crazy patchwork quilt with pieces made from cottons, rayons, silks and taffetas. Each piece is stuffed with kapok and machine sewn to a backing then a wholecloth floral cotton backing has been added.
920 x 164o mms
Sharlene Rogers (for Nadia Brookes)
Pieced squares, each square with a cross and 4 small squares in red. Crosses are in rows alternating 2 shades of blue and 2 of brown. Cream background. Now unlined but remnant blanket like material in corners. Originally had a cotton frill. Quilt was made from scraps of material used for making children's clothes.
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Julie Pearce
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm