Quilt No.431TM - The Townsville Museum

The Townsville Museum
Owner: 
The Townsville Museum
Location: 
QLD North
Maker
Maker: 
Martha Jane Marlton
Made in
AUSTRALIA QLD
Date: 
1941 - 1970
Description: 
One side of this quilt is made from pieces of men's knitted jumpers and cardigans hand sewn to a calico base using big stitches and cream and grey thread. The other side is mainly one cardigan with the sleeves removed. There is no additional padding.
1321 x 1245mm
History: 

The quilt was made by Martha Jane Marlton c.1960 from her husband Robert's worn cardigans and jumpers. It was then owned by Jean Marlton, Martha's daughter-in-law and is now part of the collection of the Townsville Museum. It is displayed from time to time.

Story: 

The maker, Martha Jane Marlton (born Duff) was born in Scotland in 1904. Her parents came from Glasgow where her father was a tailor and when they came to Australia they settled in Warwick on the Darling Downs where Mr. Duff became a tailor in about 1910. Martha Jane Duff was a telephonist at the Warwick telephone exchange and travelled to Townsville in 1929 to work at the Townsville telephone exchange then returning to Warwick to marry Robert William Marlton. The rug is made from his old jumpers and cardigans. He felt the cold especially when travelling between Warwick and Townsville visiting family. After marrying Martha they travelled to Bundaberg, Winton and Chartres Towers as Robert worked with the railways. In 1938 he was injured when a train ran over his foot and he lost one toe. After recuperating for a year they moved to Townsville where Robert worked as a porter at the goods shed.
Martha Jane Marlton came from a family of sewers. Two of her sisters worked for their father in the tailoring business but Martha was not a sewer, preferring the garden. She was, however, thrifty and a conserver and the quilt had been mended and carefully stored. Martha was interested in the Women's Guild and the CWA.
[This information is taken from a telephone conversation with Jean Marlton by Morley Grainger in Townsville 13.3.98]

Related Quilts:

Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Shelley Cameron
Cotton scrap quilt with shapes of squares and diamonds and strips. There is no padding and the backing is calico.
2125 x 1440mm
The Pioneer Women's Hut
Double sided patchwork quilt. Machined squares and rectangles joined in strips and then the strips joined. Wide variety of materials, mainly woollen from hand or machine knitted jumpers, many patched. All materials came from worn garments from family and friends of the maker. No padding.
1860 x 1410mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm