Quilt No.70MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW, South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1901 - 1920
Description: 
Patchwork quilt with diagonal arrangement. All cotton including cotton padding. Hand sewn and quilted.
2109 x 1702mm
History: 

Most of the quilts in the Mare Carter collection were made by her grandmother Eva Leota Towe and this quilt was either made by her or possibly one of her sisters. If made by Eva it was either made in Washington State or Southern California. Mare Carter, Eva's grand-daughter, came to Australia in 1950. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts, when she came to Australia." Most of the quilts have been family quilts and well used.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground, 1998]

Related Quilts:

Barbara McCabe
Patchwork quilt made from squares of woollen fabric scraps from dressmaking. Squares are stitched together in no particular order. Colours are bright, with pink, yellow, green, brown and light blue predominating. Fabric is plain, checks and stripes. No padding or quilting. Backing is a cotton bedspread, striped in pinks and magenta.
2530 x 1640mm
Barbara McCabe
Patchwork quilt made from rectangles of mostly woollen fabrics sewn in strips and then stitched together. Fabrics left over from dressmaking projects. Machine stitched. Colours mainly green, purple, blue, pink, pastels, in plain, checks and spots. No padding or quilting. Lining is an old bedspread.
2200 x 1440mm
Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Mare Carter
Patchwork quilt, all cotton including cotton padding. 'Tree of Life' pattern. All 'Trees' are on white squares and are red or blue. Alternating squares are fawn or white. Simple diagonal quilting. Hand stitched.
1880 x 1728mm