Quilt No.95YH - Yvonne Hore

Yvonne Hore
Owner: 
Yvonne Hore
Location: 
QLD
Maker
Maker: 
Leticia Turner
Made in
AUSTRALIA QLD
Date: 
1921 - 1940
Description: 
Reversible quilt. Both sides are small squares of cotton scraps mainly left over from children's clothes. Plain and patterned pieces in a wide variety of colours. Hand stitched. Padding is pieced men's clothing, jumpers, cardigans, trousers. The present owner zig zagged over the seams, bound the edges and 'clouted' (her term) it in circles and squares.
2080 x 1570mm
History: 

Leticia Turner, maternal grandmother of the present owner, commenced the quilt. Her daughter, Stella Cant, made the padding from pieces of men's clothing. Letita's grand-daughter,Yvonne Hore, assembled the quilt. It is still used occasionally in the caravan and was used as a floor rug when the children were small.

Story: 

"Circles and Squares"
The quilt was commenced by my grandmother who stitched everything by hand because she never owned a sewing machine.
My grandmother was very poor. Her husband died when my Mother (eldest daughter) was about five years old. My Mother had twin sisters three years younger. There were no pensions in those days and my grandmother (the youngest of eight girls) survived by washing and ironing and rearing state wards.
In later years one of her twin daughters, Rita, purchased an old Century treadle sewing machine and became the local dressmaker. All the left over pieces were used in the quilts.
My Mother was never a sewer, however, she made the backing out of old men's clothes, jumpers, cardigans, trousers etc.
The second world war came and things changed dramatically in our town. An American naval base hospital was set up and many of the local women went to work there.
My grandmother always lived with her younger daughter Rita until she died. My mother lived with me until she died so the quilt came into my hands. Because much of it was hand sewn I zig zagged over the seams and clouted it together (you couldn't call it quilting) in circles and squares. I also squared it up and bound the edges.
�...As you can see no templates were used the squares are quite irregular. It is showing signs of wear.
It is made from bits and pieces of fabric both cotton and woollen - what ever was available at the time."
[Yvonne Hore 1996]

Leticia Turner
Leticia Turner
Stella Cant
Stella Cant
Yvonne Hore
Yvonne Hore

Related Quilts:

National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Gillian Albers
Patchwork quilt made from hexagons in 'Grandmother's Flower Garden' design, in blue and aqua cottons, polyester and flannelette. Quilt is backed. No padding or quilting.
2380 x 2320mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.