Quilt No.882NTNW - National Trust of Australia (NSW)
Description:
Unfinished patchwork quilt in the pattern known as 'Grandmother's Flower Garden'. Hexagons are pieced over papers in the English tradition and most papes are intact some with pencilled numbers. 6 hexagons and one in the centre form the 'flowers'. There are 49 fabric samples of varying prints and sizes.
History:
This unfinished quilt top was made by Lady Mary Fitzroy in Sydney in the 1840s. It was a gift to the National Trust (NSW) by Mrs.Yvonne Perceval in 1998 and is now part of the National Trust (NSW) quilt collection. Also gifted at the same time was Lady Fitzroy's jewellery box. Her work bag came from the same donor at an earlier date.
Story:
Lady Fitzroy was the wife of Sir Charles Fitzroy , the Governor appointed to the colony between 1845 and 1855. She was killed in a carriage accident at old Government House Parramatta in 1847.
Related Quilts:
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
2600 x 2600mm
Hexagon quilt made from dressmaking scraps, nearly all woollen. The hexagons measure 150mm. It is hand stitched.
1170 x 1100mm
1170 x 1100mm
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm