Quilt No.772PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Marion Gibson
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Crazy patchwork principally pieced from cotton, silk, velvet, damask, brocade and felt with a printed cotton back. The edges of the pieces have been embroidered with a range of stitches including herringbone, feather and blanket stitches. The quilt is edged with red cotton with a machine made lace flounce all around."
The backing is a "cotton patchwork print with an asymmetrical design of playing cards, paisley, checks and geometric patterns in green, red and blue on a white background." [PHM]
The quilt is padded with a wool and cotton blanket.
2275 x 1935mm
History: 

The quilt was made by Marion Gibson on a property near Hay NSW and completed in 1892. Marion left the quilt to her eldest grand-daughter. It was then passed down the female line of the Gibson family. It was acquired by the Powerhouse Museum in 1990, with the assistance of funds provided by the Gibson family.

Story: 

".....Marion Gibson was born in Scotland, the daughter of a tailor. In 1854 she married John Gibson, a bootmaker, and they sailed for Australia. The settled in Coolac where John set up business as a bootmaker until, in 1875, fulfilling a lifetime ambition to take up farming they bought a property, 'Narringa', outside Hay and there Marion Gibson established a home for her family, which eventually grew to nine children, eight boys and one girl. In addition to her work in the home and her activities on behalf of rural settlers generally, Marion Gibson was known for her skills as a needlewoman and this is only one of a number of pieces by her that survive." [PHM]

"This is a rare example of a nineteenth century quilt that is not only well provenanced but whose maker has left a detailed description of its construction, materials and the reason for making it. In a letter to her grand-daughter, Marion Gibson wrote...'With the exception of a few scraps of ribbon it was all made up with pieces [sic] from friends far and near. I called it the Friendship quilt and to me it was a labour of love and given to you as my eldest grand-daughter...I am sorry I cannot write a history of it - for as the eye is dazzled by the many colours of the different bits, so the mind is puzzled by the loving memories of dear friends who contributed and took an interest in the Friendship Quilt.....I must add I spent many a happy hour on it.'
The pieces came from wedding dresses, men's ties, children's clothes, favourite ribbons, bonnet trimmings and other personal items. There is even a piece from the crown of a neighbour's hat, 'which I did not care for, but put on to please him.' As Marion Gibson concluded, 'I went in for "Federation" on this quilt - for all classes are united.' " [PHM]

Related Quilts:

National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Kay Jones
Quilt top with English piecing in a star in polygon pattern. English and French cotton fabrics in a wide variety of patterns and plains constructed over papers with the tacking still in tact. Papers are mainly part envelopes some with stamps and post dated 1898. 2200 x 1800mm
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Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
West Australian Quilters' Association
The quilt is a repeat block in the Ohio Star pattern in turkey red and cream. Quilted in squares in the cream block and diagonal lines in the star block. The fabric border is disintegrating. The backing is cream calico and the padding is cotton, badly degraded. 1940 x 1760mm.
Tess Davidson
Hand stitched quilt of suiting materials. Centre rectangle also suiting materials but arranged with a smaller scale, is edged with a cord of red fabric covering string. The outer red border has been renewed by the owner and closely matches the original. The backing is ticking. There is no padding.
2390 x 2110mm