Quilt No.772PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Marion Gibson
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Crazy patchwork principally pieced from cotton, silk, velvet, damask, brocade and felt with a printed cotton back. The edges of the pieces have been embroidered with a range of stitches including herringbone, feather and blanket stitches. The quilt is edged with red cotton with a machine made lace flounce all around."
The backing is a "cotton patchwork print with an asymmetrical design of playing cards, paisley, checks and geometric patterns in green, red and blue on a white background." [PHM]
The quilt is padded with a wool and cotton blanket.
2275 x 1935mm
History: 

The quilt was made by Marion Gibson on a property near Hay NSW and completed in 1892. Marion left the quilt to her eldest grand-daughter. It was then passed down the female line of the Gibson family. It was acquired by the Powerhouse Museum in 1990, with the assistance of funds provided by the Gibson family.

Story: 

".....Marion Gibson was born in Scotland, the daughter of a tailor. In 1854 she married John Gibson, a bootmaker, and they sailed for Australia. The settled in Coolac where John set up business as a bootmaker until, in 1875, fulfilling a lifetime ambition to take up farming they bought a property, 'Narringa', outside Hay and there Marion Gibson established a home for her family, which eventually grew to nine children, eight boys and one girl. In addition to her work in the home and her activities on behalf of rural settlers generally, Marion Gibson was known for her skills as a needlewoman and this is only one of a number of pieces by her that survive." [PHM]

"This is a rare example of a nineteenth century quilt that is not only well provenanced but whose maker has left a detailed description of its construction, materials and the reason for making it. In a letter to her grand-daughter, Marion Gibson wrote...'With the exception of a few scraps of ribbon it was all made up with pieces [sic] from friends far and near. I called it the Friendship quilt and to me it was a labour of love and given to you as my eldest grand-daughter...I am sorry I cannot write a history of it - for as the eye is dazzled by the many colours of the different bits, so the mind is puzzled by the loving memories of dear friends who contributed and took an interest in the Friendship Quilt.....I must add I spent many a happy hour on it.'
The pieces came from wedding dresses, men's ties, children's clothes, favourite ribbons, bonnet trimmings and other personal items. There is even a piece from the crown of a neighbour's hat, 'which I did not care for, but put on to please him.' As Marion Gibson concluded, 'I went in for "Federation" on this quilt - for all classes are united.' " [PHM]

Related Quilts:

National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Jean Gill
Pieced quilt featuring log cabin and tumbling block patterns. It is handsewn and has some appliqued flowers.Materials are mainly velvet with a small amount of cotton. There is no padding and the backing is cotton flannelette.
1525 x 1220mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Fran Williams
Quilt with centre area of silk triangles framed with small squares and the rest of the top is larger squares. Wide variety of prints and plain materials. There is no padding. The backing is cotton and "E.M.B." is cross stitched in one corner. "Back is interesting as it's all the same fabric, joined but it appears to have been stitched with a running stitch (cf quilting) before it was attached to the front. It was definitely done after being joined as the stitching design follows through the seams." [Fran Williams]
2500 x 2500mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
National Trust of Australia (TAS)
Quilt made of hexagons in cotton materials, the hexagons set in the 'Grandmother's Flower Garden' pattern with 6 patterned patches set around a plain coloured centre patch and white hexagons forming 'paths'. There is a white cotton backing with the edges turned under all the way around and top and backing are joined by a blue machine sewn satin stitch. The patches are hand sewn.
2160 x 1830mm