Quilt No.772PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Marion Gibson
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Crazy patchwork principally pieced from cotton, silk, velvet, damask, brocade and felt with a printed cotton back. The edges of the pieces have been embroidered with a range of stitches including herringbone, feather and blanket stitches. The quilt is edged with red cotton with a machine made lace flounce all around."
The backing is a "cotton patchwork print with an asymmetrical design of playing cards, paisley, checks and geometric patterns in green, red and blue on a white background." [PHM]
The quilt is padded with a wool and cotton blanket.
2275 x 1935mm
History: 

The quilt was made by Marion Gibson on a property near Hay NSW and completed in 1892. Marion left the quilt to her eldest grand-daughter. It was then passed down the female line of the Gibson family. It was acquired by the Powerhouse Museum in 1990, with the assistance of funds provided by the Gibson family.

Story: 

".....Marion Gibson was born in Scotland, the daughter of a tailor. In 1854 she married John Gibson, a bootmaker, and they sailed for Australia. The settled in Coolac where John set up business as a bootmaker until, in 1875, fulfilling a lifetime ambition to take up farming they bought a property, 'Narringa', outside Hay and there Marion Gibson established a home for her family, which eventually grew to nine children, eight boys and one girl. In addition to her work in the home and her activities on behalf of rural settlers generally, Marion Gibson was known for her skills as a needlewoman and this is only one of a number of pieces by her that survive." [PHM]

"This is a rare example of a nineteenth century quilt that is not only well provenanced but whose maker has left a detailed description of its construction, materials and the reason for making it. In a letter to her grand-daughter, Marion Gibson wrote...'With the exception of a few scraps of ribbon it was all made up with pieces [sic] from friends far and near. I called it the Friendship quilt and to me it was a labour of love and given to you as my eldest grand-daughter...I am sorry I cannot write a history of it - for as the eye is dazzled by the many colours of the different bits, so the mind is puzzled by the loving memories of dear friends who contributed and took an interest in the Friendship Quilt.....I must add I spent many a happy hour on it.'
The pieces came from wedding dresses, men's ties, children's clothes, favourite ribbons, bonnet trimmings and other personal items. There is even a piece from the crown of a neighbour's hat, 'which I did not care for, but put on to please him.' As Marion Gibson concluded, 'I went in for "Federation" on this quilt - for all classes are united.' " [PHM]

Related Quilts:

National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Tasmanian Museum and Art Gallery
Cot quilt of mixed textiles and techniques. Made in sections and stitched together possibly with some padding. It features embroidered and appliqued animals (cats, donkey, elephant, squirrel, birds, kangaroo, emu) and nursery rhyme characters. Materials are cotton, silk, wool, imitation fur. There is a black velvet patch with a cross stitch parrot and embroidered date and initials 'May 1925 AE'. The backing is woven self patterned curtain material. There is a ruffle around the edge in the same material.
1400 x 930mm
Albury Regional Museum
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Quilt is hand pieced.
1000 x 1000mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
Charlotte Nattey
Cotton quilt of pieced hexagons and some diamonds made for a baby's basket. Colours are mainly blue and pink and two 'Punch and Judy's' are appliqued in the centre. There is no padding and the backing is a cotton floral in blues and greens.
760 x 660mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.