Quilt No.36KHS - Kalamunda & District Historical Society Inc.

Owner: 
Kalamunda & District Historical Society Inc.
Location: 
WA Perth
Maker
Maker: 
Laura Harrison's grandmother
Made in
ENGLAND
Date: 
pre 1850
Description: 
"�..quilt of silk hexagonal patches with a velvet panel as the centrepiece with petit point embroidery. The silk materials are a valuable source of textile history being very variable in weaves and patterns. The patchwork templates are still in situ and are of a ? linen gauze. The whole quilt is backed with mercerised cotton."
[Maggie Myers 21.5.1986]
2650 x 2330mm
History: 

The quilt was made by the aunt of Mrs Sarah Edith Hode, the grandmother of Laura Harrison. The aunt was a milliner to Queen Victoria's court. The tradition was to hand the quilt down to the eldest daughter, but in the last generation it came to the younger daughter.
Donated to Kalamunda & District Historical Society [WA] by the owner Mrs Laura Harrison.

Story: 

"Information received from Mrs. Elizabeth Trainer��on 12 August 1985, the sister of the donor Mrs. Laura Harrison�..'The qult was sent out to WA in 1912 to Mrs Sarah Edith Hode (nee Horne), Mrs Trainer's grandmother. Mrs Hode was given the quilt by her aunt who had made it and was a milliner to Queen Victoria's court. She had made the quilt out of remnants of ladies of the court's dresses. The velvet embroidered centrepiece was a piece left over from the making of the coronation footstool thus dating the quilt to around 1837. The quilt had traditionally been handed down to the eldest daughter in the family but in the last case was given to Mrs Harison the younger daughter. The family remember the quilt being stored in a blue pillowcase and being brought on very special occasions.' "
[Maggie Myers 21.5.1986 for K.D.H.S.Inc]

Related Quilts:

Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Fleur Margaret Lehane
Unfinished cotton frame quilt. The centre square is 4 triangles and this is surrounded by a border of smaller triangles. Most of the other borders are of triangles in a wide variety of materials, printed and plain.
2286 x 1829mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Margaret Perrott
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm