Quilt No.905CFM - Carbethan Folk Museum

Carbethan Folk Museum
Owner: 
Carbethan Folk Museum
Location: 
QLD South West
Maker
Maker: 
Ellen Smith
Made in
AUSTRALIA SA
Date: 
1881 - 1900
Description: 
Patchwork quilt in a variation of Log Cabin. The materials are cotton and cotton velveteen. The backing is twill cotton ticking. There is no padding.
1499 x 1169mm.
History: 

Ellen Smith made the quilt at Nairne South Australia probably about the turn of the century. The family moved from Nairne to Crows Nest in Queensland. Fred Smith, Ellen's son, went to SA to visit his family and brought the quilt back in the 1930s. Fred gave it to his daughter Beryl Deeth (Smith) who donated it to the Carbethan Folk Museum at Crows Nest Queensland.

Story: 

"Ellen [Haines] arrived from England on her 17th birthday, the 8th May 1850, on the 'Lysander'. She later married the bullock driver who transported her from port Adelaide to her brother (Perc)'s place at Nairne. They arrived at 2 a.m. in the morning and Ellen's sister in law just moved over in her bed to make room for her that night. She and Mr Hillman [her first husband] had a son who died, and is buried near the forked gum tree in Nairn cemeteery and Mr. Hillman also died from injuries received in an accident, and is buried in the Hillman vault in Nainre cemetery." [Extract Geneology of John Smith by Dawn Foote]
Edis Smith was born in 1827 in England and arrived at Port Adelaide on the 'Star Queen' in 1854. He and Ellen Hillman were married in 1857 and they had twelve children: Emily, Mary Sophia, Rebecca, Zilla, Frederick, Rosina, Hephzibah, Elizabeth Amy, Isabella Annie, Albert Edis, Martha, Herbert Edis. It is said Ellen made a quilt for each daughter.
Ellen was a deeply pious woman and with Edis (a lay preacher for 50 years) helped build the Nairne Wesleyan Church. She died in 1916 aged 83. [Source of information, geneology of John Smith]

Edis and Ellen Smith
Edis and Ellen Smith

Related Quilts:

National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Lesley Stocker
Suffolk puff quilt with puffs in a variety of fabrics. Very little cotton. Fabrics are satin, polyester, organza, wool (now moth eaten), rayon and silk. There is no padding or backing. 2450 x 2100mm
Elsie Roberts
Patchwork quilt has a centre of a square within a square, with rows of scraps added around it. The scraps are mainly cotton shirting fabrics and are cut in different sizes and shapes. The two long sides have a narrow red edging folded from the back. The other two sides have been 'bagged'. Filling is an unusual weave thought to be wool. Backing is a pink, red and beige floral cotton.
2080 x 1650mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Billie Briggs
Hand pieced crazy quilt in a variety of plain coloured velvets. All seams are over embroidered in a variety of stitches. There is no padding and the backing is heavy black cotton. 1900 x 1630mm.
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm