Quilt No.346HMS - Harden Murrumburrah Historical Society

Harden Murrumburrah Historical Society
Owner: 
Harden Murrumburrah Historical Society
Location: 
NSW Riverina
Maker
Maker: 
Tamar Borrow
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt has pieced blocks in the 'Ohio star' pattern in red print and white cotton, alternating with plain white blocks. Quilt has a 9cm frill in red and grey geometric print cotton, machine stitched around the edge. Quilt appears to have some hand quilting. No padding. Backing is white cotton.
2210 x 2060mm
History: 

Made during the 1880s by Tamar Borrow (1862-1947), probably at Leongatha, Gippsland Vic. Inherited by her cousin Beatrice Mossop in 1947, and inherited by William Mullett 1965. Owned by the Harden Murrumburrah Historical Society.

Story: 

"Tamar was born in 1862, the third child to George Borrow and Mary (Mossop) at Mt Clear just outside of Ballarat, Victoria. She inherited the name from her grandmother, Tamar Taylor.
Tamar had a sister, Jane (1856) and a brother Henry (1859). A younger brother, George (Brother Will) was born in 1865.
She went to school in Buninyong and later lived in Leongatha with her mother and brother, Henry (Harry). Harry moved the family around but while at Bullarto he caught an influenza and died there.
Those remaining bought a house in St Kilda and in an endeavour to keep the family together, all moved in.
Tamar never married and both she and her younger cousin, Annie Beatrice Mary Mossop (Beattie), lived on together until Tamar died in 1947 aged 85.
Tamar's talents were strongly influenced by her mother who was said to be 'very creative'. The family were proud of her.
Much of their work was done by candle and lamp light and a front room of the house was dedicated to this."
[Notes from Harden Murrumburrah Historical Society 1998]

Tamar Borrow
Tamar Borrow

Related Quilts:

Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
The Pioneer Women's Hut
Cotton quilt in pattern commonly known as "Double Wedding Ring'. Probably an American McCall's pattern. Hand stitched, florals, checks and plain pieces. The backing is pink cotton. Scalloped edge.
2300 x 1880mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Ruth Hansen
Quuilt constructed from large pieces of used clothing pieced together to form the top. There are layers of under shirts once used by the maker's father and also by her husband Bill. The backing is an old cream blanket.
1700 x 1200mm