Quilt No.381FB - Fay Burgess

Fay Burgess
Owner: 
Fay Burgess
Location: 
NSW Sydney
Maker
Maker: 
Eliza Hillyard and Ellen Page-Knight
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
History: 

Eliza Hillyard commenced the cover in England pre 1914. It was brought to Australia in 1914 when Eliza's daughter Ellen and her husband Tom (Thomas Montague Page-Knight) emigrated with their 4 children, Alice Maude, Vera, Beatrice Lucy and Charles Arthur. Ellen added rows of velvet and silk hexagons to Eliza's work. Ellen's daughter, Alice Maude , continued the work adding additional rows of hexagons. These are now the outer layer and still have some basting threads and papers in place. It is thought that Maude's work was in the 1930s and 1940s. The present owner, Fay Burgess, was given the work by her aunt Maude (Keage). Fay is the daughter of Vera May McGeachan (born Knight).

Story: 

Eliza Worth (later Hillyard) b. 1886 was a needlewoman to Queen Victoria, mending linen. Her daughter Ellen (later Knight) made corsets and it is thought that some of the silk hexagons were from off cuts of corsets. Maude, born 1911, had a business as a dressmaker and made dresses for women married at Elizabeth Bay House in Sydney.
The present owner has a basket of pieces from the quilt and also Eliza's work bag with her initials embroidered on it.

Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth
Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth

Related Quilts:

Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Margery Creek
Double Wedding Ring' cotton pieced quilt. Machine constructed and hand quilted. Padding is Mountain Mist cotton. The backing is unbleached calico.
2160 x 1855mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm