Quilt No.381FB - Fay Burgess

Fay Burgess
Owner: 
Fay Burgess
Location: 
NSW Sydney
Maker
Maker: 
Eliza Hillyard and Ellen Page-Knight
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
History: 

Eliza Hillyard commenced the cover in England pre 1914. It was brought to Australia in 1914 when Eliza's daughter Ellen and her husband Tom (Thomas Montague Page-Knight) emigrated with their 4 children, Alice Maude, Vera, Beatrice Lucy and Charles Arthur. Ellen added rows of velvet and silk hexagons to Eliza's work. Ellen's daughter, Alice Maude , continued the work adding additional rows of hexagons. These are now the outer layer and still have some basting threads and papers in place. It is thought that Maude's work was in the 1930s and 1940s. The present owner, Fay Burgess, was given the work by her aunt Maude (Keage). Fay is the daughter of Vera May McGeachan (born Knight).

Story: 

Eliza Worth (later Hillyard) b. 1886 was a needlewoman to Queen Victoria, mending linen. Her daughter Ellen (later Knight) made corsets and it is thought that some of the silk hexagons were from off cuts of corsets. Maude, born 1911, had a business as a dressmaker and made dresses for women married at Elizabeth Bay House in Sydney.
The present owner has a basket of pieces from the quilt and also Eliza's work bag with her initials embroidered on it.

Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth
Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth

Related Quilts:

National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm