Quilt No.429HH - Helen Hancock

Owner:
Helen Hancock
Location:
QLD South West
Maker
Maker:
Marion Best
Made in
AUSTRALIA QLD
Patterms
Date:
1881 - 1900
Description:
Fragment of a crazy patchwork quilt hand stitched in cottons, silks, silk velvets and silk brocades. Variety of fancy stitches including blanket, feather, herringbone worked in various kinds of cottons and some chenille thread. There is also some beading. The backing is red cotton. The fragment is now framed.
484mm x 484mm
484mm x 484mm
History:
The quilt, of which this is a fragment, was made c1890 by Marion Best (Fairlie) 1862-1954 in Maryborough Queensland. It then passed to her grand-daughter Marion Ham and is now owned by her great grand-daughter. Helen Hancock. It is framed.
Story:
Marion Fairlie came to Australia from England in 1862 as a baby. Her parents came to explore the possibility of growing cotton for their muslin factory in Glasgow, Scotland. This was prompted by the failure of the American cotton crop. Maryborough proved unsuitable for cotton growing so James Fairlie started a joinery business making window frames from Queensland red cedar. He is said to have made a fortune.

Helen Hancock
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"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm