Quilt No.484JC - Jean Cameron

Jean Cameron
Owner: 
Jean Cameron
Location: 
VIC Gippsland
Maker
Maker: 
Unknown
Made in
AUSTRALIA VIC
Patterms
Motifs or Names, Wholecloth, Typically Australian
Date: 
1921 - 1940
Description: 
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
History: 

The Rev. D.A. Cameron was the grandfather of Jean Cameron's late husband and the quilt came from the Rev. Cameron's home. It was a fund raising quilt made probably for the Home Missions fete of 1923. It was made in Bairnsdale Victoria. It is not used and is stored in Jean Cameron's home.

Story: 

The Rev. D.A.Cameron was the Moderator General of the Presbyterian church of Australasia early this century. He was a great friend of the Rev. John Flynn. He was in Bairnsdale in the 1890s and again in the 1920s and also spent time in Warrnambool and Kew.
"Path Among the Years" a history of the shire of Bairnsdale by John Adams lists some of the activities early this century of the Rev. Cameron:
1892: Leader of a farm settlement scheme (successful).
1892: With George Bearham started a private college, St. Andrew. There were financial problems and it closed.
1890s: With the Ladies Benevolent Society started an Old Australians Home.
1891 Opened a newly erected Presbyterian Church. This was completely renovated in the early 1920s and again opened by the Rev. Cameron. Eventually the church was moved.
The Rev. Cameron was born in the late 1860s and died in 1940.

The Rev. D.A.Cameron
The Rev. D.A.Cameron

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Joyce Lannin
Quilt No.1028JL - Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
Patchwork, Mosaic, Square, Typically Australian, Tailors' samples
Margaret Wilson
Quilt No.587MW - Margaret Wilson
Hand stitched appliqued quilt or banner. Different hand stitching indicates applique was probably done by several people. There is no padding. The backing is calico.
2230 x 2140mm
Wholecloth, Embroidered and/or Appliqued
Verna Doak
Quilt No.163VD - Verna Doak
Cot quilt made in rows of crochet in treble clusters. Backed with blue cotton fabric. Backing replaced with another backing of blue fabric in 1970. Colours of rows are green,yellow, blue, pink and red.
Wholecloth, Utilitarian
Kereake Wray
Quilt No.1040KW - Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Wholecloth, Quilting as major design element