Quilt No.581LC - Lorna Calder

Lorna Calder
Owner: 
Lorna Calder
Location: 
NSW Central West
Maker
Maker: 
Jane Calder
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with...
History: 

The quilt was made by Jane Calder (born Bennett) in Melbourne probably just before the turn of the century. Jane was known as 'Mater' in the family. It descended through the maker's family and came to Lorna Calder on the death of her mother-in-law in 1948. The quilt was found in an old tin trunk in the cellar of her Melbourne home in Grey Street, St. Kilda. In 1980 Mrs. Calder had the quilt repaired for her daughter Morella's return to Australia and it was used in her Balmain home. Additional initials relating to Mrs. Calder's family had been added by the Austrian needlewoman, Soula, who did the repairs. The quilt came back into Lorna Calder's hands on the death of her daughter. It is not used.

Story: 

The Calder family were from Edinburgh. Jane Bennett married William Henderson Calder in about 1860 and they went to New Zealand. She had nine children in New Zealand and they returned to Scotland in 1875. After a year or two the family came to Australia and settled in St. Kilda in a large house that still stands in Grey Street. Unfortunately much of the information about the quilt died with Lorna Calder's mother-in-law.
[Based on informal interview with Lorna Calder by Kylie Winkworth 15.9.99]

Jane Calder
Jane Calder
The house is St. Kilda where the quilt was made
The house is St. Kilda where the quilt was made

Related Quilts:

National Parks & Wildlife Service of SA
Patchwork quilt of hexagon patches (3.5cm sides approx), handsewn, in cotton fabrics in sprig prints, stripes, checks, florals and plains. Colours are pre-aniline dyes, in lavender, green, red, beige and purple. Centre of quilt is pastel colours with a central patch embroidered in red: 'Elsey Rowbotham her work May 1 1869'. Quilt has a wide border of squares and triangles.Padding is thin cotton. Backing is off white calico. Quilted in parallel lines.
2693 x 2490mm
National Trust of Australia (SA)
Hand stitched unfinished crazy quilt with patches placed around a centre hexagon pieced in log cabin type strips. Materials are mainly silks and satins and pieces are mounted on grey cotton material. Seams are overstitched in herringbone stitch. 1520 x 760mm
West Australian Quilters' Association
Repeat block in Dresden Plate pattern using various cotton fabrics from the 1920s. Quilted with a flower in the purple/pink centre and squares elsewhere. Border is furnishing fabric. The padding is cotton that is disintegrating and the backing is calico. 1980 x 2100mm
Margaret Wright
Crazy patchqork quilt, handsewn, composed of six large squares of patches in brocade, velvet and silk in random shapes and sizes. Patches are stitched to others by blanket stitch in yellow thread. Some patches have surface embroidery, e.g. a dragonfly, flowers, music notes, and names, 'Minnie', 'Loyetta' (house in Ballarat), 'Diana'. There are also five small cream bobbles. Colours are red, gold, brown, pinks, greens and blues. Padding is flannel, and quilt is backed and edged with maroon or burgundy ribbed silk.
1461mm x 687mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm