Quilt No.581LC - Lorna Calder

The quilt was made by Jane Calder (born Bennett) in Melbourne probably just before the turn of the century. Jane was known as 'Mater' in the family. It descended through the maker's family and came to Lorna Calder on the death of her mother-in-law in 1948. The quilt was found in an old tin trunk in the cellar of her Melbourne home in Grey Street, St. Kilda. In 1980 Mrs. Calder had the quilt repaired for her daughter Morella's return to Australia and it was used in her Balmain home. Additional initials relating to Mrs. Calder's family had been added by the Austrian needlewoman, Soula, who did the repairs. The quilt came back into Lorna Calder's hands on the death of her daughter. It is not used.
The Calder family were from Edinburgh. Jane Bennett married William Henderson Calder in about 1860 and they went to New Zealand. She had nine children in New Zealand and they returned to Scotland in 1875. After a year or two the family came to Australia and settled in St. Kilda in a large house that still stands in Grey Street. Unfortunately much of the information about the quilt died with Lorna Calder's mother-in-law.
[Based on informal interview with Lorna Calder by Kylie Winkworth 15.9.99]


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1550 x 1420mm
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
1830 x 1220mm
1975 x 1675mm
2261mm x 1664mm