Quilt No.581LC - Lorna Calder

Lorna Calder
Owner: 
Lorna Calder
Location: 
NSW Central West
Maker
Maker: 
Jane Calder
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with...
History: 

The quilt was made by Jane Calder (born Bennett) in Melbourne probably just before the turn of the century. Jane was known as 'Mater' in the family. It descended through the maker's family and came to Lorna Calder on the death of her mother-in-law in 1948. The quilt was found in an old tin trunk in the cellar of her Melbourne home in Grey Street, St. Kilda. In 1980 Mrs. Calder had the quilt repaired for her daughter Morella's return to Australia and it was used in her Balmain home. Additional initials relating to Mrs. Calder's family had been added by the Austrian needlewoman, Soula, who did the repairs. The quilt came back into Lorna Calder's hands on the death of her daughter. It is not used.

Story: 

The Calder family were from Edinburgh. Jane Bennett married William Henderson Calder in about 1860 and they went to New Zealand. She had nine children in New Zealand and they returned to Scotland in 1875. After a year or two the family came to Australia and settled in St. Kilda in a large house that still stands in Grey Street. Unfortunately much of the information about the quilt died with Lorna Calder's mother-in-law.
[Based on informal interview with Lorna Calder by Kylie Winkworth 15.9.99]

Jane Calder
Jane Calder
The house is St. Kilda where the quilt was made
The house is St. Kilda where the quilt was made

Related Quilts:

Art Gallery of South Australia
Patchwork quilt in the Tumbling Block pattern in light and dark silks in bright colours. On both sides and at the bottom is a wide border in Tumbling Blocks, the pattern vertical at the sides and forming a triangle centre bottom, with an edge on both sides of two black bands with pieced diamonds between. Made for a poster bed. Hand sewn.
1790 x 1750mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm