Quilt No.642CS - Celia Suddull

Celia Suddull
Owner: 
Celia Suddull
Location: 
NSW South East
Maker
Maker: 
Clara Hughes
Made in
ENGLAND & SHIPBOARD
Date: 
1881 - 1900
Description: 
Suffolk puff coverlet, white cotton, hand sewn. Each puff is 55mm. Edging of needle netting lace.
2190 x 1510mm with 120mm wide needle netting lace.
The set includes a pillow sham 900 x 380mm and a nightgown bag 430 x 330mm. Both are edged with needle netting lace.
History: 

This quilt was commenced by Clara Hughes in England and completed on the Orient line steamer the 'Sorata' in 1884. Clara Johnson died in 1955 and the quilt is now with her great grand-daughter Celia Suddull. It is not used.

Story: 

Clara Jemima Hughes (1863-1955) was in service in London and agreed to marry William Johnson who was already in Adelaide. In 1884 Clara paid 10 pound for a ticket to Adelaide on the Orient line 'Sorata', one of the first steamships. It is believed the suffolk puff quilt was completed on the voyage out.
William and Clara were married in 1886 and lived first in Broken Hill and in 1891 or 1892 the family, now including one child, George, moved to Jerilderie. William was a baker and pastrycook by trade but in Jerilderie he worked on a property as a useful and handy man and Clara as a cook and house maid. Three more children were born and all died. William drank heavily and Clara took in borders to make ends meet. A pattern she was to follow for many years.
Of 9 children born to Clara, only 4 survived to adulthood.
In 1902 the family moved to Wagga and the quilt was part of their luggage, still in pristine condition and probably never used. At one stage they owned a baker's shop in the main street but William continued to drink heavily and ownership of the shop appears to have been short lived. Clara continued to take in borders.
In 1911 William was appointed head chef at the Wagga Experiment farm at a salary off 5 pounds a week. He was drinking less and their fortunes seem to have improved.
In 1914 William died from the result of a sulky accident. He was 51. Clara was 53, went to work and continued to take in borders.
Clara Johnson died in 1955 with the quilt still rarely if ever used.
[Compiled from extensive family sources and with the assistance of family members by Wendy Hucker for NQR]

Clara Johnson with Grace, 1904
Clara Johnson with Grace, 1904
Clara Johnson c.1950
Clara Johnson c.1950
One of Clara's knitted rugs
One of Clara's knitted rugs

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
The Queensland Women's Historical Assoc.
Frame quilt in cotton with cotton backing. Centre square of floral chintz surrounded by 8 smaller squares with floral and probably Egyptian motifs. 4 surrounding frames of plain and patterned cotton in squares, diamonds and strips. Hand stitched and hand quilted. Has been used as a curtain and has metal rings attached to one edge.
3759 x 2286mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Mrs Joan McGregor
Large and small pieces, mainly rectangles and mainly cottons, machine sewn. One side has replacement materials in red check, brown, tan, blue and pink materials. The padding is an old woollen blanket.
1950 x 1327mm