Quilt No.69MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
History: 

This quilt was made by Eva Leota Towe in Southern California, USA, in 1928 or 1929 in anticipation of her grand-daughter's birth. It was never used and Mare Carter wrote it is now being saved for the next generation, Eva's great great grandchildren. Mare was born in 1930 and came to Australia in 1950. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts when she visited Australia." Mare has 16 of her grandmother's quilts. Most have been family quilts, well used.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Towe with grand-daughter Mary 1930
Eva Towe with grand-daughter Mary 1930
Adeline Thompson with daughter 1930
Adeline Thompson with daughter 1930

Related Quilts:

Glenda Wilkinson
Quilt consisting of 30 blocks 360 x 360mm each (5 x 6). Each block consists of squares and rectangles arranged diagonally and edged with triangles. Each block is made from 2 or 3 different cotton materials, different colours but mainly pastels. It has not been quilted but tied with pink wool with 5 ties per block. Machine sewn with a folded and machine stitched edge. Padding appears to be coarse open weave cotton. The backing is printed flannelette.
2210 x 1850mm
Eileen Dinning
Double sided silk quilt. One side is paisley designs and the reverse plain silk . Machine pieced. There is a thin padding possibly sheeting.
2694 x 2287mm
National Trust of Australia (TAS)
Patchwork quilt of cotton hexagons in a random mix of colours and prints, the predominant colours being blue, red, green, light yellow and pastels. Patches hand sewn. There is no padding and the backing is a grey wool blanket. The top is machine stitched around the edge to the blanket.
1645 x 1060mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Pioneer Settlement Authority
Centre medallion of hexagons surrounded by blocks of tumbling blocks. Rows of triangles around the edge. Each corner has a star within a hexagon. Hand stitched with the traditional 20 stitches to the inch. There is a silk tassle in each corner. Materials include: silk, silk ribbon, taffeta, brocade, velvet, striped silk, faille. The backing is cream holland.
1580 x 1510mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm