Quilt No.69MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
History: 

This quilt was made by Eva Leota Towe in Southern California, USA, in 1928 or 1929 in anticipation of her grand-daughter's birth. It was never used and Mare Carter wrote it is now being saved for the next generation, Eva's great great grandchildren. Mare was born in 1930 and came to Australia in 1950. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts when she visited Australia." Mare has 16 of her grandmother's quilts. Most have been family quilts, well used.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Towe with grand-daughter Mary 1930
Eva Towe with grand-daughter Mary 1930
Adeline Thompson with daughter 1930
Adeline Thompson with daughter 1930

Related Quilts:

Jillian Towers
Hand pieced patchwork quilt with blue and black checkerboard central frame surrounded by 4 borders of irregular sized rectangles. Mainly dress materials with possibly some furnishing material. It is not quilted or tied. The backing is a large rectangular red check table cloth with 3 borders of irregular shaped pieces down 2 sides and 1 border down 2 sides. There is no padding.
1860 x 1730mm
Margaret Hedges
Crazy patchwork quilt with small patches in velvet, silk, brocade and cottons most with hand embroidery over the seams. There are many motifs such as flowers, butterflies, birds also dates, initials and names of local properties. It is padded with a thin soft material and the replacement backing (old) is satin. There is a wide rose coloured frill on all sides.
1680 x 1380mm
Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
The Embroiderers' Guild of S.A.Inc Museum
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm