Quilt No.69MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt made for a doll's bed or possibly as an infant's quilt. All cotton. The owner calls the pattern a variation of 'Bow Ties'. Hand sewn and quilted. This quilt is new.
534 x 382mm
History: 

This quilt was made by Eva Leota Towe in Southern California, USA, in 1928 or 1929 in anticipation of her grand-daughter's birth. It was never used and Mare Carter wrote it is now being saved for the next generation, Eva's great great grandchildren. Mare was born in 1930 and came to Australia in 1950. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts when she visited Australia." Mare has 16 of her grandmother's quilts. Most have been family quilts, well used.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Towe with grand-daughter Mary 1930
Eva Towe with grand-daughter Mary 1930
Adeline Thompson with daughter 1930
Adeline Thompson with daughter 1930

Related Quilts:

The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Old Government House
Patchwork quilt in Log Cabin pattern made from silks, velvet, cottons and taffetas, in prints and plain, around a centre squares of black velvet. Colours are, in the dark sections, blues, greens, browns, yellow and pinks. The base of the blocks is blue and white ticking. The padding is probably cotton. Backing is of green cotton. There is an attached frill on all sides of green cotton, faded to dull light brown.
1630 x 1350mm
Peter and Jan Newman
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm