Quilt No.488WHS - Wangaratta Historical Society

Wangaratta Historical Society
Owner: 
Wangaratta Historical Society
Location: 
VIC North East
Maker
Maker: 
Marianne Gibson
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of...
History: 

The quilt was made about 1891 in Wangaratta by Marianne Gibson (1837-1911). It remained in the family until it was presented to Miss Alma Gard and on Alma's retirement she presented it to the Wangaratta Historical Society. It is carefully stored and exhibited occasionally.

Story: 

"Marianne was born in Armagh, Ireland in 1837, and as a young woman she and her sister accompanied their uncle to Australia. They eventually made their way to Wangaratta Victoria where in 1864, Marianne married Alexander McCullen Gibson.
Mr. Gibson was to become a prominent business man in Wangaratta, establishing a handsome brick building in Reid St, which he operated as a general store and Wine Merchants. The ground floor of the building became the business premises and the first floor which included a pretty balcony became the home of the Gibson family.
Marianne's Obituary which was published in the "Wangaratta Chronicle" in 1911 stated that 'She attended her household in a truly motherly and womanly manner, rearing a family of 3 sons and two daughters.' Unfortunately her Obituary does not identify her daughters by their Christian names.
She also involved herself with women's organisations in the town, particularly the 'Wangaratta Women's Benevolent Society'.
Like many women of her generation she was an experienced needlewoman. The beautiful quilt, known in our society as the 'Gibson quilt' being an example of her considerable skill and pride in her work. This particular quilt was made in 1891."
[Joan Wood, Research Officer, Wangaratta Historical Society 28.10.1996]

Centre patch with Sturt's Desert Pea
Centre patch with Sturt's Desert Pea

Related Quilts:

National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm
Elsie Roberts
Patchwork quilt has a centre of a square within a square, with rows of scraps added around it. The scraps are mainly cotton shirting fabrics and are cut in different sizes and shapes. The two long sides have a narrow red edging folded from the back. The other two sides have been 'bagged'. Filling is an unusual weave thought to be wool. Backing is a pink, red and beige floral cotton.
2080 x 1650mm
Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm