Quilt No.754PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Hannah Reed
Made in
ENGLAND
Date: 
1851 - 1880
Description: 
"The quilt is made from three panels of white cotton fabric, each about 800 mm wide and machine-stitched together. The quilting pattern consists of an all-over diamond ground with a central medallion of flowers and leaves and a border of scrolling feathers and flowers. The quilt is finished with a single row of machine stitching round the edge and marked 'T W Ritson' in ink on the underside of one corner and 'T W R' under another. The blue pattern markings are still evident on the surface of the quilt." [PHM] It is padded and backed with cotton.
2520 x 2430mm
History: 

"The maker of the quilt was Hannah Reed, born Coulson. The quilt was made in Hannah's home and the name of the farmlet was 'Swinhope Mill' of Swinhop, Sparty Lea, Allendale, Northumberland, England.
"The quilt was passed down through the family. It was left to the donor's aunt, Phyllis Jane. Then it was passed on to the donor's brother, Thomas William Ritson, next to the mother Ruth Ritson. Ruth brought the quilt to Australia in 1914 and passed it down to Lavinia McFadyen in 1919, just before she died. The quilt was not used, but kept as a treasure and donated to the Powerhouse Museum in 1983." [PHM]
The quilt is used for research and exhibition only.

Story: 

"Hannah Reed died at the age of 77 in 1892. At that time she was living with her daughter Ruth; her granddaughter Lavinia was 12 years old. On 8 February 1983, Lavinia McFadyen wrote:
'My Grandmother Reed was a thrifty, hardworking lady and was left a widow when Grandpa died at 55 years. I'd say she made and helped make several quilts in her time. She died at 77. When you read the quilting history I'm sending you'll see it was very time consuming. My aunties were all very good needlewomen and my mother taught needlework at a girl's school until she married and I had a beautiful display of quilts and much fancy work at my 2 sales. I gave a lot away until friends asked me to sell it.' "
[Lavinia McFadyen for the Powerhouse Museum]

Hannah with daughters Phyllis and Mary and Mary's child Ruth,'Swinhope Mill'
Hannah with daughters Phyllis and Mary and Mary's child Ruth,'Swinhope Mill'

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Christina Kazaglis
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
Effie Kalenderidis
Wholecloth quilt made from blue satin with turquoise blue cotton backing. The padding is cotton wadding. The quilting pattern is a large central motif of a daisy with a fan design in each corner. The in fill pattern is of curved and straight parallel lines and the border straight parallel lines. It is all hand quilted.
2000 x 1660mm
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.
Berry & District Historical Society
It is a plain white linen double-bed sheet or bed-cover on which have been embroidered (over autographed signatures) the names of members of various associations and clubs, local MPs, visiting dignitaries etc associated with the Berry Agricultural Show of 1906. There are badges and emblems also embroidered in red or pale gold thread including the central Berry Agricultural Society Association motif surrounded by a wreath of lillipilly leaves and berries, a rebus on the name 'Berry'.