Quilt No.775PB - Tricia Bowdler

Tricia Bowdler
Owner: 
Tricia Bowdler
Location: 
ACT
Maker
Maker: 
Alice Layden or Phyllis King
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
History: 

The quilt was probably made by Alice Esther Layden and, if not, by her daughter Phyllis (King) in Victoria probably post war.
"The quilt was discovered in a dilapidared old 'back yard' caravan at Langwarrin on the Mornington peninsular by Paul King [grandson or son of the maker] and my sister Wendy Drowley. They were searching through old clothes to save them for an amateur theatre company when the quilt was 'discovered'. ��...luckily my sister knows of my involvement and love of quilts and it was saved. Apparently, a couple of others were thrown out as they had been completely destroyed by the rats and possums! Mind you they had a good 'feed' on my wagga as well. But after careful dry cleaning it has come up beautifully and the holes and nibble are a testimony to a long and useful life."
[Tricia Bowdler 14.12.2000

Story: 

"Alice Esther Layden was born 14 October 1885 in Yorkshire, England and died in Sydney on 18 March 1974, aged 88 years.
Her parents were Sarah Ann Thorpe (an upstairs maid, born 9 April 1868 in Derbyshire) and William Layden (a coal miner, born 16 July 1864, also in Derbyshire).
In 1888 she sailed to Australia with her parents and younger sister, Norah (born 1887) where they settled in a small cottage at Scarborough in Bulli Shire, NSW.
Her parents had eleven more children after arriving in Australia - three sons and eight daughters - William (1899), Alfred (1908),Edward (1912) and Clara (1890), Hannah (1892), Hattie (1894). Annie (1897), Isabel (1901), Emily (1904), Gladys (1905) and Sarah (1910) - to bring the number of offspring to 13����
In 1908 Alice Lester Layden married George Silas Casey (born 7 April 1880), when she was 23 and they lived in a number of Sydney suburbs until they eventually moved to Penshurst, a suburb to the south of Sydney.
They had one daughter when they lived in Moore Park - Phyllis Marjory - who was born 23 February 1910. Although Phyllis was an only child she had four children of her own (Ronald, Paul, Fay and Simon) by Percy James King (born Sydney 1888), who she married in 1946.
In the mid 1950s Phyllis and Percy, together with the three youngest of her four children (Ronald had migrated to Canada by this time), moved to Victoria in a metal caravan in which they lived for a brief period at Chelsea Caravan Park before moving to a 3/4 acre block of land at Langwarrin, three miles east of Frankston. Purchased for 1000 pounds, the land became the eventual home of the family, who lived in a number of outbuildings without running water, electricity or sewerage until the early 1960s. They were pioneers in what was (at the time) bushland, until the outlying areas of Frankston spread to a new suburb, Karingal, and then on to Langwarrin.
Phyllis was widowed in 1964 and in 1974, after her mother's death, she went back to Sydney to settle the estate, returning to Langwarrin with her mother's belongings and furniture. She stored some of the clothing and other items in the old caravan and it was here that the quilt was discovered after Phyllis's death in July 2000.
While living in Melbourne, at a number of places, including George Street, Fitzroy, Phyllis worked as a dress maker in Richmond and Collingwood and eventually dressmaking was her main means of employment at Langwarrin, where she had a large clientele eager to acquire stylish quality clothing.
It is not clear who actually made the quilt, although as it was found in the caravan it is likely that Alice was the maker. However, depending upon its date of creation, it could be that Phyllis produced it."
[Paul R. King (son)]

Related Quilts:

Barbara McCabe
Patchwork quilt made from squares of cotton fabrics, from curtains, left over from dress making projects, and new fabrics. Colours are bright primaries and some pastels, prints are checks, florals, stripes and plain. Pieces were stitched together without any particular order. No padding or quilting. Backing is a cotton bedspread in turquoise and blue stripes.
2520 x 1600mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Annette Gero
This domestic Wagga is two layers of woollen army blankets with the top layer in rectangles joined in rows. The backing is hessian bags that originally contained meat meal.
11650 x 1130mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm