Quilt No.806QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Sarah Nicholls
Made in
WALES
Date: 
1881 - 1900
Description: 
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
History: 

The quilt was made by Sarah Nicholls (born Mosely) c.1900 in Wales. Her grand-daughter Ida Rix came to Australia after World War 2. She donated the quilt to the Queen Victoria Museum and Art Gallery in 2001.

Story: 

"This quilt was made about AD 1900 by Sarah Nicholls (nee Moseley) 1867-1906. She was one of a family of 8 children only 4 of whom survived to adulthood. Sarah herself died at the age of 39 from consumption. She was a pianist and singer and played the organ in church. In 1892 she married Evan Nicholls who owned the village store opposite to her home.
The village of Llandewi Ystradenau, their home lies in the valley of the River Ithon, tributary of the River Severn, bwteen the hills of the Gaer and Giant's Grave near Llandrndod Wells in Powys, Wales���..
Up until the 2nd World War the village consisted of 11 houses, a working flour-mill, water driven, a forge for shooing horses, a carpenter's shop and a wheel wright, also a shoemaker and a saw mill. At the front of the village store was a mounting block and there was a village pump. Sadly, all of these features have since vanished.
Sarah was brougt up at Llandewi Hall. At the time the area and all properties therein were owned by Lord Ormothwaite. Sarah's father was a tenant farmer and school governor. At his farm sale in 1908 there were '156 magnificent speckled Radnor and Kerry hills sheep. 70 well descended Hereford cattle, 14 working horses, mares, colts, cobs and ponies' (quotation from Families of Llandewi Hall)��.
Sarah's husband Evan Nicholls was a master draper who served his apprenticeship with Beatties of Wolverhampton, at the time a double fronted shop, now a large department store with branches in 6 major cities. Beatties celebrated their centenary in 1977 so would have been fairly new when Evan was there. Evan was born in 1867. He bought Llandewi Store in 1889 and married Sarah Moseley in 1892. The business was varied, post office, grocery, drapery, medecines and a good agricultural seed trade. Two horses were kept and eventually a dressmaker and a tailor were employed there. Big business was done in supplying workmen with cord trousers and sleeve waistcoats. Ladies came into the shop to be measured for dresses especially for weddings and funerals�����..The business grew until there was a fleet of 14 vans and lorries and a staff of 50. During World War 11 when food was rationed, Nicholls and Sons were collecting 8 or 9 tons of rabbits from farmers and selling them in Birmingham and London. As Sarah died in 1906 she would not have been involved in the business at its height which would have been just before and after World War 11. The patchwork quilt, some music books and her engagement ring are all that is left to remin us of this very talented lady who lived such a short life."
[Ida Rix (?) for QVMAG]

Sarah Nicholls
Sarah Nicholls

Related Quilts:

Susan Shannon
This hand pieced and hand quilted hexagon quilt is in a pattern often called 'Grandmother's Flower Garden'. The background is white and there are concentric rows of double rosettes each with a yellow centre. The colours start in the centre of the quilt with pink and then follow the rainbow. Paper templates were used. The padding is cotton (American) and the backing is cotton floral poplin.
2360 x 1730mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm