Quilt No.806QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Sarah Nicholls
Made in
WALES
Date: 
1881 - 1900
Description: 
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
History: 

The quilt was made by Sarah Nicholls (born Mosely) c.1900 in Wales. Her grand-daughter Ida Rix came to Australia after World War 2. She donated the quilt to the Queen Victoria Museum and Art Gallery in 2001.

Story: 

"This quilt was made about AD 1900 by Sarah Nicholls (nee Moseley) 1867-1906. She was one of a family of 8 children only 4 of whom survived to adulthood. Sarah herself died at the age of 39 from consumption. She was a pianist and singer and played the organ in church. In 1892 she married Evan Nicholls who owned the village store opposite to her home.
The village of Llandewi Ystradenau, their home lies in the valley of the River Ithon, tributary of the River Severn, bwteen the hills of the Gaer and Giant's Grave near Llandrndod Wells in Powys, Wales���..
Up until the 2nd World War the village consisted of 11 houses, a working flour-mill, water driven, a forge for shooing horses, a carpenter's shop and a wheel wright, also a shoemaker and a saw mill. At the front of the village store was a mounting block and there was a village pump. Sadly, all of these features have since vanished.
Sarah was brougt up at Llandewi Hall. At the time the area and all properties therein were owned by Lord Ormothwaite. Sarah's father was a tenant farmer and school governor. At his farm sale in 1908 there were '156 magnificent speckled Radnor and Kerry hills sheep. 70 well descended Hereford cattle, 14 working horses, mares, colts, cobs and ponies' (quotation from Families of Llandewi Hall)��.
Sarah's husband Evan Nicholls was a master draper who served his apprenticeship with Beatties of Wolverhampton, at the time a double fronted shop, now a large department store with branches in 6 major cities. Beatties celebrated their centenary in 1977 so would have been fairly new when Evan was there. Evan was born in 1867. He bought Llandewi Store in 1889 and married Sarah Moseley in 1892. The business was varied, post office, grocery, drapery, medecines and a good agricultural seed trade. Two horses were kept and eventually a dressmaker and a tailor were employed there. Big business was done in supplying workmen with cord trousers and sleeve waistcoats. Ladies came into the shop to be measured for dresses especially for weddings and funerals�����..The business grew until there was a fleet of 14 vans and lorries and a staff of 50. During World War 11 when food was rationed, Nicholls and Sons were collecting 8 or 9 tons of rabbits from farmers and selling them in Birmingham and London. As Sarah died in 1906 she would not have been involved in the business at its height which would have been just before and after World War 11. The patchwork quilt, some music books and her engagement ring are all that is left to remin us of this very talented lady who lived such a short life."
[Ida Rix (?) for QVMAG]

Sarah Nicholls
Sarah Nicholls

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
The Queensland Women's Historical Assoc.
Frame quilt in cotton with cotton backing. Centre square of floral chintz surrounded by 8 smaller squares with floral and probably Egyptian motifs. 4 surrounding frames of plain and patterned cotton in squares, diamonds and strips. Hand stitched and hand quilted. Has been used as a curtain and has metal rings attached to one edge.
3759 x 2286mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Art Gallery of South Australia
Rectangular patchwork crazy quilt pieced in squares (3 across by 4 down), in silks and wool, with red sashing between blocks and red border, quilted. Colours are dark, with red and light blue. Embroidery includes double feather, rope, herringbone, satin, cross, sword edge, buttonhole and coral stitches, and French knots. Embroidered flowers include lily of the valley, rose, daisy, and sunflower, also butterflies. Backing is pieced in the frame style, with a large centre red square, within 10 frames or borders. Embroidered "In Most Loving Memory of My Darling 1883", "V.H.B." Hand sewn.
1900 x 1500mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm