Quilt No.806QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Sarah Nicholls
Made in
WALES
Date: 
1881 - 1900
Description: 
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
History: 

The quilt was made by Sarah Nicholls (born Mosely) c.1900 in Wales. Her grand-daughter Ida Rix came to Australia after World War 2. She donated the quilt to the Queen Victoria Museum and Art Gallery in 2001.

Story: 

"This quilt was made about AD 1900 by Sarah Nicholls (nee Moseley) 1867-1906. She was one of a family of 8 children only 4 of whom survived to adulthood. Sarah herself died at the age of 39 from consumption. She was a pianist and singer and played the organ in church. In 1892 she married Evan Nicholls who owned the village store opposite to her home.
The village of Llandewi Ystradenau, their home lies in the valley of the River Ithon, tributary of the River Severn, bwteen the hills of the Gaer and Giant's Grave near Llandrndod Wells in Powys, Wales���..
Up until the 2nd World War the village consisted of 11 houses, a working flour-mill, water driven, a forge for shooing horses, a carpenter's shop and a wheel wright, also a shoemaker and a saw mill. At the front of the village store was a mounting block and there was a village pump. Sadly, all of these features have since vanished.
Sarah was brougt up at Llandewi Hall. At the time the area and all properties therein were owned by Lord Ormothwaite. Sarah's father was a tenant farmer and school governor. At his farm sale in 1908 there were '156 magnificent speckled Radnor and Kerry hills sheep. 70 well descended Hereford cattle, 14 working horses, mares, colts, cobs and ponies' (quotation from Families of Llandewi Hall)��.
Sarah's husband Evan Nicholls was a master draper who served his apprenticeship with Beatties of Wolverhampton, at the time a double fronted shop, now a large department store with branches in 6 major cities. Beatties celebrated their centenary in 1977 so would have been fairly new when Evan was there. Evan was born in 1867. He bought Llandewi Store in 1889 and married Sarah Moseley in 1892. The business was varied, post office, grocery, drapery, medecines and a good agricultural seed trade. Two horses were kept and eventually a dressmaker and a tailor were employed there. Big business was done in supplying workmen with cord trousers and sleeve waistcoats. Ladies came into the shop to be measured for dresses especially for weddings and funerals�����..The business grew until there was a fleet of 14 vans and lorries and a staff of 50. During World War 11 when food was rationed, Nicholls and Sons were collecting 8 or 9 tons of rabbits from farmers and selling them in Birmingham and London. As Sarah died in 1906 she would not have been involved in the business at its height which would have been just before and after World War 11. The patchwork quilt, some music books and her engagement ring are all that is left to remin us of this very talented lady who lived such a short life."
[Ida Rix (?) for QVMAG]

Sarah Nicholls
Sarah Nicholls

Related Quilts:

Jan Tregoweth
Square patchwork quilt made from rectangles of woollen tailors' samples, each patch outlined with machine fancy stitch using red thread. Machine sewn. The backing is a green and white check fabric. No filling.
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Sandra Jones
Crazy patchwork quilt in silks and velvets. Centre circle of embroidered flowers and outer border of diamonds in tunbling block pattern. Most pieces have embroidered flowers and all joins are embroidered in fancy stitches. The owner's mother had a pink silk quilted backing and a thick edge cord added to the quilt by Rocke's of Collins street Melbourne c.1960
1620 x 1595mm
Annette Gero
Hand pieced log cabin quilt in silks, satins and velvets. There is a silk backing machined on, possiby a later addition. The quilt has over 5000 pieced.
1820 x 1680mm
Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.