Quilt No.806QVM - Queen Victoria Museum and Art Gallery

Queen Victoria Museum and Art Gallery
Owner: 
Queen Victoria Museum and Art Gallery
Location: 
TAS Country
Maker
Maker: 
Sarah Nicholls
Made in
WALES
Date: 
1881 - 1900
Description: 
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
History: 

The quilt was made by Sarah Nicholls (born Mosely) c.1900 in Wales. Her grand-daughter Ida Rix came to Australia after World War 2. She donated the quilt to the Queen Victoria Museum and Art Gallery in 2001.

Story: 

"This quilt was made about AD 1900 by Sarah Nicholls (nee Moseley) 1867-1906. She was one of a family of 8 children only 4 of whom survived to adulthood. Sarah herself died at the age of 39 from consumption. She was a pianist and singer and played the organ in church. In 1892 she married Evan Nicholls who owned the village store opposite to her home.
The village of Llandewi Ystradenau, their home lies in the valley of the River Ithon, tributary of the River Severn, bwteen the hills of the Gaer and Giant's Grave near Llandrndod Wells in Powys, Wales���..
Up until the 2nd World War the village consisted of 11 houses, a working flour-mill, water driven, a forge for shooing horses, a carpenter's shop and a wheel wright, also a shoemaker and a saw mill. At the front of the village store was a mounting block and there was a village pump. Sadly, all of these features have since vanished.
Sarah was brougt up at Llandewi Hall. At the time the area and all properties therein were owned by Lord Ormothwaite. Sarah's father was a tenant farmer and school governor. At his farm sale in 1908 there were '156 magnificent speckled Radnor and Kerry hills sheep. 70 well descended Hereford cattle, 14 working horses, mares, colts, cobs and ponies' (quotation from Families of Llandewi Hall)��.
Sarah's husband Evan Nicholls was a master draper who served his apprenticeship with Beatties of Wolverhampton, at the time a double fronted shop, now a large department store with branches in 6 major cities. Beatties celebrated their centenary in 1977 so would have been fairly new when Evan was there. Evan was born in 1867. He bought Llandewi Store in 1889 and married Sarah Moseley in 1892. The business was varied, post office, grocery, drapery, medecines and a good agricultural seed trade. Two horses were kept and eventually a dressmaker and a tailor were employed there. Big business was done in supplying workmen with cord trousers and sleeve waistcoats. Ladies came into the shop to be measured for dresses especially for weddings and funerals�����..The business grew until there was a fleet of 14 vans and lorries and a staff of 50. During World War 11 when food was rationed, Nicholls and Sons were collecting 8 or 9 tons of rabbits from farmers and selling them in Birmingham and London. As Sarah died in 1906 she would not have been involved in the business at its height which would have been just before and after World War 11. The patchwork quilt, some music books and her engagement ring are all that is left to remin us of this very talented lady who lived such a short life."
[Ida Rix (?) for QVMAG]

Sarah Nicholls
Sarah Nicholls

Related Quilts:

Pearl Holland
This is one of two single bed quilts in a pattern the owner calls 'Martha Washington's Flower Garden'. Flowers are in six hexagons in a variety of prints with a plain coloured centre. The background is cream, and the backing is calico. 2500 x 1800 mm.
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm
Betty Johnson
Pieced wool quilt, machined. Rectangles and squares, from a wide variety of materials including tartans, checks, tweeds, herringbones, joined in strips and then the strips joined. The backing is scraps of woollen material with a seal motif aookiqued on. There is no padding.
1350 x 800mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm