Quilt No.932NC - Mrs Noleen Caarthew

Mrs Noleen Caarthew
Owner: 
Mrs Noleen Caarthew
Location: 
SA Adelaide
Maker
Maker: 
Emma Loder
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Hand stitched quilt top in printed cotton with central frame of elongated diamond of orange/blue squares and triangles. Borders are mainly squares set on point, triangles, strips, pinwheels and log cabin.
2140 x 1850mm
History: 

The quilt top was made by Emma Jane Loder (born Lloyd) 1842 - 1938 between 1920 and 1930. Emma made many quilts in her lifetime. It has been passed down in the family and is now owned by Mrs. Noleen Carthew (born Beasley) great grand-daughter of the maker.

Story: 

Emma was born in 1842 in SA and went to the Coolgardie gold fields with her daughter Mrs. N.C.Bottrill (born Loader) and their children (and a cocky and a galah) to join their husbands. They saw the New Year of 1896 in outside Bulla Bullin where the coach had broken down. They eventually arrived at Coolgardie and the women had to finish constructing the house they were to live in.
"My husband was working in the mine, but all the house he had for us to live in was some large sheets of iron leaning against a large log and the first thing I had to do was to cut some poasts and dig holes and put them in the ground, then cut corn sacks open and sew them together and nail them to the poast then put the iron on it for a roof and sewed more bags up and lined it inside too, then got some big cases from the store ' there was always plenty of cases to be got which the goods came up in' and made doors and window frames and put some micha 'from the micha mine which was about 3 or 4 miles away' and put micha in for glass, then I papered the inside with newspapers and whitewashed the outside, it was quite a smart house. I pugged the floors to make them hard and sewed bags together for carpets, then I started making the furniture, I made bedsteads, tables, sofas, chairs and cupboard all out of boxes and had a comfortable home. I got the storekeeper to get me a Metters stove then I found I had to put in some poast, a few feet from the house and nail nails on them to keep the horses and camels from breaking the house. I also made a garden and in the winter I had plenty nice vegetables, but the water was too dear and scarce in the summertime, it was then 1/- for a kerosene bucket full of condensed water, and only allowed to have one bucket a day, and if the thunder storm came up, we put everything that would hold water, around the house to catch the droppings from the roof, even the jam tins.
During my stay in Western Australia I made quite a number of different homes like that but as the trains got going on the fields and we could get iron cheaper, we made the walls of iron and boxes made into board floors and I built a brick chimney for my stove and lined the inside of the iron walls with oilcloth and had linoes on the floors (quite smart then)."
[Extract reminiscences of Emma Jane Loader 1938 courtesy Noleen Carthew and David Beasley Adelaide]

Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)
Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)

Related Quilts:

Margery Smith
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
The Queensland Women's Historical Assoc.
Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Ella Jarvis
Quilt made with a rectangular centre panel of cotton fabric printed with red poppies and black flowers in a japanese style. The panel is surrounded by a wide black satin border. The backing is of black cotton, covering a previous backing of green floral cotton fabric. The padding is feathers.
1700 x 1370mm
The Pioneer Women's Hut
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm