Quilt No.932NC - Mrs Noleen Caarthew

Mrs Noleen Caarthew
Owner: 
Mrs Noleen Caarthew
Location: 
SA Adelaide
Maker
Maker: 
Emma Loder
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Hand stitched quilt top in printed cotton with central frame of elongated diamond of orange/blue squares and triangles. Borders are mainly squares set on point, triangles, strips, pinwheels and log cabin.
2140 x 1850mm
History: 

The quilt top was made by Emma Jane Loder (born Lloyd) 1842 - 1938 between 1920 and 1930. Emma made many quilts in her lifetime. It has been passed down in the family and is now owned by Mrs. Noleen Carthew (born Beasley) great grand-daughter of the maker.

Story: 

Emma was born in 1842 in SA and went to the Coolgardie gold fields with her daughter Mrs. N.C.Bottrill (born Loader) and their children (and a cocky and a galah) to join their husbands. They saw the New Year of 1896 in outside Bulla Bullin where the coach had broken down. They eventually arrived at Coolgardie and the women had to finish constructing the house they were to live in.
"My husband was working in the mine, but all the house he had for us to live in was some large sheets of iron leaning against a large log and the first thing I had to do was to cut some poasts and dig holes and put them in the ground, then cut corn sacks open and sew them together and nail them to the poast then put the iron on it for a roof and sewed more bags up and lined it inside too, then got some big cases from the store ' there was always plenty of cases to be got which the goods came up in' and made doors and window frames and put some micha 'from the micha mine which was about 3 or 4 miles away' and put micha in for glass, then I papered the inside with newspapers and whitewashed the outside, it was quite a smart house. I pugged the floors to make them hard and sewed bags together for carpets, then I started making the furniture, I made bedsteads, tables, sofas, chairs and cupboard all out of boxes and had a comfortable home. I got the storekeeper to get me a Metters stove then I found I had to put in some poast, a few feet from the house and nail nails on them to keep the horses and camels from breaking the house. I also made a garden and in the winter I had plenty nice vegetables, but the water was too dear and scarce in the summertime, it was then 1/- for a kerosene bucket full of condensed water, and only allowed to have one bucket a day, and if the thunder storm came up, we put everything that would hold water, around the house to catch the droppings from the roof, even the jam tins.
During my stay in Western Australia I made quite a number of different homes like that but as the trains got going on the fields and we could get iron cheaper, we made the walls of iron and boxes made into board floors and I built a brick chimney for my stove and lined the inside of the iron walls with oilcloth and had linoes on the floors (quite smart then)."
[Extract reminiscences of Emma Jane Loader 1938 courtesy Noleen Carthew and David Beasley Adelaide]

Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)
Emma Loader with her 3 daughters, Harriett, Violet, Matilda (Rt)

Related Quilts:

Friends of the Hawkesbury Art Society
Patchwork Quilt consisting of diamond shapes forming a Tumbling Block pattern. All cotton, mainly patterned pieces, with signs of blotting paper templates. Hand sewn. The outer border of patches consists of off-cuts from nurses' uniforms of the times as 2 of the maker's daughters were nurses. It is thought most other squares were probably from material samples from large city stores such as Anthony Horderns. Backing is red cotton in a paisley design.
2030 x 1890mm
Molly Palmer
Patchwork quilt with repeat blocks of Log Cabin pattern in cottons. One side of the square has blue fabrics, the other side has pink. Blocks are separated by a floral and a blue strip. The quilt is finished with a dark blue border on 2 sides, and a light and dark blue border on the other 2 sides. Dark blue binding around edge. Hand quilted with a cable pattern on the borders. Padding is probably synthetic. The quilt is backed.
National Trust of Australia (WA)
Frame quilt of dress cottons, including some glazed cottons. The centre is 4 triangles pieced to make a rectangle. This is surrounded by a plain border, a border of triangles, plain border, triangles border, plain border, border of triangles pieced to form squares, square and triangle border, then rows of squares. The outer border is of glazed floral chintz with a brown background. The backing is cream linen pieced lengthways in 3 sections. There is no padding. It is quilted all over in a large clamshell pattern. The top is covered with netting.
2615 x 2280mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
Dorothy Taylor
Patchwork quilt made of hexagons in printed cottons, colours predominantly red, blue pink, brown and yellow. Handsewn. Attached to a white cotton backing. Cotton padding.
1829 x 1829mm