Quilt No.959NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Unknown
Made in
AUSTRALIA ?
Date: 
pre 1850
Description: 
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches:...
History: 

"Mrs. Marjorie Campbell (c1895-1967) of Victoria bequeathed this quilt to a member of her family. Marjorie may have been a descendant of one of the artists. In 1998 the Canberra Quilters Inc., purchased it from a close relative of Marjorie Campbell. In the same year, the Canberra Quilters Inc., donated the quilt to the National Gallery of Australia in memory of Jim Logan, the former Curator of Australian Decorative Arts." [NGA]

Story: 

"There is little information about the fabrication of this quilt. It is remarkable for its use of fabrics that are contemporary to the Rajah quilt and the wonderful use of a rather wild chinoiserie lining reflects the fashion of the times. The stitching indicates two makers of differing skill, which implies that the fabric may have been brought out from England and cut out by one generation, then sewn and finished by the next." [NGA]

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Tasmanian Museum and Art Gallery
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1400 x 930mm
Gabrielle Carter
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Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
Jindera Pioneer Museum
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11900 x 1870 mm
Lois Ryan
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