Quilt No.919MK - Maria Kirke

Maria Kirke
Owner: 
Maria Kirke
Location: 
QLD Brisbane
Maker
Maker: 
Unknown
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Wholecloth quilt made from deep pink satin. The quilting pattern is a centre circle with a stylised flower surrounded by crescent shapes. This is set in a square and there is a fan design in each corner. Parallel lines create a border. There is a frill on all sides of the quilt. The padding is raw cotton.
2000 x 1770 mm
History: 

The quilt was made in Sydney in the early 1950s by a quilt maker whose name is unknown. He was recommended to Maria's parents by her aunt Katina Kiossoglou.The quiltmaker also made a quilt for Maria's sister and one for her aunt Nina Conomos.

Story: 

"Maria's Paploma
Maria's 'paploma' (quilt), still in pristine condition, was made in Sydney in the early 1950s, by the same quiltmaker who made a paploma for her aunt, Nina Conomos. Another aunt, Katina Kiossoglou introduced Maria's parents, Despina and Lucas Kirke to this quiltmaker, who probably came from the Greek island of Kastellorizo, as they did. Maria's sister, Helen Lampros also scored a traditional paploma for her' prika' (dowry or trousseau) from her parents' Sydney trip. No prika was complete without a paploma, a tradition which is especially strong with the women from Kastellorizo.
Despina, Maria's mother was seventeen when she came to Australia to join her brother, Agapitos. Life in Kastellorizo had become extremely difficult from years of Italian occupation, and a large proportion of the island's population eventually migrated to Australia. In 1939 in Innisfail, she married Lucas whose parents, Nick and Helen Karakyriakos were part of the early wave of Greek migrants who were involved with the sugar industry in north Queensland. Lucas had worked with his father on their canefarm at Silkwood, south of Innisfail. Despina and Lucas went on to have four children: Helen, Maria, Nicholas and Rosalie.
As with so many Greek Australian women of the time, Maria's business skills developed from a very young age when she helped her father with his snack- bar and other ventures. Her many interesting years in retail and management included twelve years of living and working in Pireaus, the busy port of Athens. Maria, now retired from her active, travelling life, is at home caring for her mother, Despina."
[Written by Lula Saunders, adapted from interview 6/9/00 for the National Quilt Register]

Maria Kirke with her quilt, 2000
Maria Kirke with her quilt, 2000

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
Griffith Pioneer Park Museum
Wholecloth quilt, yellow sateen both sides. Hand quilted in geometric and curvilinear patterns. Edges turned in, hand finished. Stuffed with flock-like material said by the donor to be wool. Approximately 2.5cm thick.
2500 x 2000mm.
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
Ella Jarvis
Wholecloth quilt of pink satin with machine qulting in squares across the main part of the quilt, and two rows of two lots of stitching around the wide border. The quare pattern on the quilt top is overlaid with a grid of applied thick white braid. Backing of cotton. Padding appears to be enclosed in white cotton. Fragile condition.
1650 x 1370mm