Quilt No.113MH - Muriel Hartmann

Muriel Hartmann
Owner: 
Muriel Hartmann
Location: 
QLD South West
Maker
Maker: 
Muriel Hartmann
Made in
AUSTRALIA QLD
Date: 
1941 - 1970
Description: 
Domestic Wagga made from sugar bags joined together and covered with army blankets. Machine construction. Patching evident. Sugar miller's brand visible on one bag: " M--AQUIN, 70lbs, --- SUGAR, BUNDABERG"
1753 X 1347mm
History: 

This domestic Wagga was made by Muriel Hartmann in about 1957 at "Buradoo" Goondiwindi Queensland. "It was cold and we needed extra blankets. Mt mother gave me the sugar bags and my mother-in-law gave me the old grey blankets. This was my first attempt but I did others later. I recovered old quilts with any old coloured materials." [M.H.1997]
The quilt is owned by the maker and was used as a plant protector during the winter to protect the stag and elk horns from the frost.
[Muriel has since advised that following acknowledgement in the NQR of the significance of this type of quilt it has been packed away. Ed.]

Story: 

"With the wool pack Wagga I may not have used two side pieces. One piece formed the top and side and the other piece side and bottom. The two pieces stitched together and the ends bound with coloured material to stop the ends unraveling. I think that's how it went. We could not afford to buy blankets. At the time my husband worked for a sheep farmer in northern N.S.W and we had 3 small children and it got very cold in the winter then. The frost hung in icicles off the fences and off the cows noses, the wind was very cold blowing through the house. I used wheat bags opened up under the mattress with newspaper to keep the cold air from coming up and the Waggas on top. Some of the old army blankets I used for Waggas belonged to my great uncle Ben Stephens who had come out to Australia as a teenager from England. He worked on properties , living in old huts, fencing and so forth.
My mother in law could not afford new blankets and was a very thrifty person and made do with what she could and made the rugs out of old jumpers cut up and crocheted around with wool unpicked from other old jumpers. Some she had picked up from the town dump. Some were jumpers she had knitted for her grand children and had shrunk as well as growing out of them. I had given them back to her for the rugs. I think the last one she made and the one I have were made about 1975. She had made Waggas with bags and blankets too.
My Mother did too as during the war and with coupon rationing she had to make do with what she could. She made all our underclothes from white flour bags boiled up to get the name off the bags. Mum made all her own bread so she had plenty of bags.
My great aunty Adelaide did too and made us children strip corn husks to make mattresses. They made plenty of noise when one turned over on them. The old saying hard work never killed anyone as my aunt lived well into her nineties, nearly made 100 and so did her sister. They lived on the land working dairy farms through two world wars and the depression.
P.S. I did not use the Wagga to cover up plants from the frost this winter, have packed it away."
[Muriel Hartmann 1997]

Muriel Hartmann with domestic Wagga
Muriel Hartmann with domestic Wagga

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Christina Kazaglis
Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm