Quilt No.920NC - Nina Conomos

Owner: 
Nina Conomos
Location: 
QLD Brisbane
Maker
Maker: 
Unknown
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
This quilt has both sides made of pale blue satin. The quilting pattern comprises a large daisy pattern in the centre, set in a square of diamonds and with a fan in each corner. The border has 2 rows of diamond shapes and 2 parallel lines. The padding is raw cotton.
2070 x 1740mm
History: 

This quilt was made in the 1950s by a Sydney quiltmaker whose name is unknown but who possibly came from the Greek island of Kastellorizo. It was ordered by Nina Conomos' mother Marigo Iconomou. It is now owned by Nina's daughter Rosalie Theodoros. It is not used.

Story: 

"Nina's Paploma
In the early 1950's, Nina Conomos' mother Marigo (Kanari) Iconomou ordered this traditional blue-satin 'paploma' (quil) from a Sydney quiltmaker who may have come from the tiny Greek island of Kastellorizo, as had Marigo with her two daughters in 1947.
Their harrowing journey of migration had begun four years earlier in 1943, when British troops captured Kastellorizo, then evacuated all its inhabitants - first to Cyprus and then to British-controlled Palestine. In September 1945 these Kastellorizian refugees were to be returned to their island. Fifteen-year old Nina, her sister Katina, and mother were among the nearly 500 people on board the British vessel 'Empire Patrol' when it caught fire. A rescue operation was mounted, but tragically, thirty-three Kastellorizians were lost. Eventually those rescued were returned to their island, now left desolate from the war and a ravaging fire. After two miserable years the family was able finally to migrate to Australia. Between their enforced evacuation and the tragic shipwreck, Nina's family lost absolutely everything. But Kastellorizians are well known for their ability to rise above the terrible adversities which history has dealt them.
In peaceful Brisbane, where her brother Agapitos, and two sisters, Despina and Theresia, were already established, Nina was able to begin a different life. 'I met my lovely husband, and we've made a good life together'. Nina and Nick have three children Rosalie, James and Maria; and five grandchildren. Her Australian-made Greek quilt is a reminder of both the early years of tragedy and loss, and her Australian years which have brought peace and prosperity."
[Written by Lula Saunders, adapted from interview 6/9/00 for the National Quilt Register]

Nina Conomos with her daughter's quilt.
Nina Conomos with her daughter's quilt.
Quilt over traditional cut work bed spread made by Ann Kyranis' mother
Quilt over traditional cut work bed spread made by Ann Kyranis' mother

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Effie Katianos
Wholecloth quilt of golden brown cotton sateen, the backing of a lighter yellow cotton sateen. Hand quilted with an allover repeatingr pattern of a cross within a square. The border is quilted with 4 parallel rows of stitching at the sides, and 5 at the top and bottom. Padding is cotton wadding. 1920 x 1440 mm.
1920 x 1440mm
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Queen Victoria Museum and Art Gallery
Wholecloth quilt with one side cream wool and one side faded red wool. Red wool is joined with 3 seams by loom length; red appears to be cochineal dyed. Cream wool side appears to have been made from a hand woven blanket with blue selvidge on 2 sides. It is hand quilted in red wool thread; Welsh patterns including clamshell, Welsh pear, snail or spiral. Centre frame has 2 cable borders and the centre corners have fans. The outer quilted border has alternate 4 petal flowers, clamshell, and spirals.
It is padded with hand carded wool.
1950 x 1935mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm