Quilt No.452RCH - Red Cliffs Historical Society

Red Cliffs Historical Society
Owner: 
Red Cliffs Historical Society
Location: 
VIC Northern
Maker
Maker: 
Florence Beaton
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Garland with berries appliqued on wholecloth quilt of off white cotton. The backing is whole cloth in soft green. The garland (ribbon appearance) is in floral patterned green. The red berries are padded. It is machine quilted. Dacron type padding.
1820 x 1500mm
History: 

The quilt was made by Florence Beaton of Sunshine Farm in the 1950s or 1960s. It is now owned by the Red Cliffs Historical Society at Red Cliffs, Victoria. The society also has a fine collection of Florence and Clara's needlework.

Story: 

Florence (Flo) Beaton (born McNabb) 1920-1996 was the daughter of Clara and Frank McNabb who selected block 46 at Carwarp in the harsh mallee country of north western Victoria in 1913. They called it "Sunshine Farm". Florence was one of 4 childrten (3 boys). She recalled* that her Mother Clara once won a nail driving competition, was an expert with a shotgun, worked on the farm driving a team of horses, had a wonderful garden and was a fine needlewoman as was her mother Ellen before her. Flo carried on the needlework tradition of her mother and grandmother and was accomplished in many types of needlework including making quilts. Flo did not have any children.
*Ref: "A Woman's Work" By Florence Beaton. The story of a Mallee farmer's wife from 1913. Published by The Sunnyland Press, Red Cliffs 1985.

Share

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Betty Gray
Hand appliqued, embroidered and quilted, 1940s. Cotton quilt with yellow, pink and purple tulips and green leaves, has scalloped edging with green piping. Hand quilted.
2240 x 885mm
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm