Quilt No.648NG - Norma Gilchrist
Description:
Quilt entirely made of hexagons joined to make 'flowers', 6 hexagons form the petals and one in the centre. The quilt is all cotton in a wide variety of colours in plains, checks and florals. The hexagons are all hand stitched using stranded cotton. There is a plain blue border of headcloth machined around the edge to the backing material. It is not quilted The materials were almost all from the scrap bag. Brown paper templates were used. This arrangement of hexagons is one variation of a pattern commonly called 'Grandmother's Flower Garden'.
2040 x 1720mm
2040 x 1720mm
History:
The quilt was made by Sylvia Schliebs and her daughter Norma in the Temora district NSW c.1845. It is now owned by Norma (Gilchrist). It is still used.
Story:
Sylvia Schliebs (1898-1995) and her daughter Norma sewed this quilt in the wintertime after tea at night. They lived on a mixed farm, 'Spring Valley', and Sylvia's life was like that of many farmers' wives with farm jobs to do including milking cows and looking after many chooks. She sold butter and eggs and bunches of violets and made most of her own and Norma's clothes. She was thrifty, practical and a good cook.
Sylvia Violet Schliebs c.1946
Related Quilts:
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
2590 x 2170mm
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
1860 x 1550mm.
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
2236 x 1550mm
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
2400 x 2300mm
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
1780 x 1700mm