Quilt No.556NPW - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Double sided square quilt mainly in cottons. Side 1 has been made in 4 squares each consisting of different sized strips and rectangles. With side 2 there appears to have been 2 stages as if the quilt was extended perhaps to match side 1. It is also squares, rectangles and strips. Sparsley machine quilted. There is no binding but side 2 has been turned over to side 1 and stitched by machine.
1525 x 1525mm
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Annette Gero
Hand pieced frame quilt with centre frame of hexagons and radiating borders of cotton and chintz. There is a heart at each of the 4 corners on the second border. It is hand quilted. There is no padding.
1900 x 1900mm
Roslyn Beattie
Patchwork quilt made from different sized rectangles, in new materials, including cotton, lightweight velvet, lining silk, crepe, seersucker, and satin. All fabrics are of even weight. Colours are mainly light, with pinks, greens and blues predominating. No padding or backing. Quilt was not finished.
2050 x 1250mm
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm